爱情中的词源恶魔

IF 0.1 2区 文学 0 POETRY
Danielle Robinson
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引用次数: 0

摘要

一个缺失的词萦绕在弥尔顿关于失落的史诗中。虽然米尔顿的学术界对《失乐园》中“恶魔”的缺失保持沉默,但这个词自始至终都是一种叙事性的存在。米尔顿依靠“恶魔”的经典词源来解读撒旦的二元性,尤其要感谢柏拉图,他用名字来指代神的来源。米尔顿使用希腊语的来源来塑造被压制的单词的轮廓,并赋予柏拉图式的恶魔以首要地位,这迫使读者质疑他的意图。通过将柏拉图式的、Septuagintal式的、新约式的、荷马式的和赫斯蒂克式的恶魔默默地融入诗歌中,米尔顿将撒旦潜意识中对理性的拒绝映射为对自我诱惑、自我崇拜和骄傲的偶像。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Etymological Demon in Love
abstract:A missing word haunts Milton's epic poem on loss. While Milton scholarship is silent on the absence of "demon" in Paradise Lost, the word is a shaping presence narratively involved in the subtext from start to finish. Milton leans on the classical etymology of "demon" to offer a reading of Satan's duality and is especially indebted to Plato, who uses the form daimonion to refer to a divine source. That Milton uses Greek sources to shape the contours of the suppressed word and gives Platonic demons primacy compels readers to question his intentions. By silently enfolding Platonic, Septuagintal, New Testament, Homeric, and Hesiodic demons into the poem, Milton maps Satan's subconscious rejection of reason in favor of the idols of self-seduction, self-worship, and pride.
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来源期刊
Milton Studies
Milton Studies POETRY-
CiteScore
0.40
自引率
50.00%
发文量
12
期刊介绍: Milton Studies is published annually by the University of Pittsburgh Press as a forum for Milton scholarship and criticism.
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