{"title":"图片与故事:论视觉意象在布拉茨拉夫拉比纳赫曼作品中的运用","authors":"Z. Mark","doi":"10.1163/18718000-12340126","DOIUrl":null,"url":null,"abstract":"\n\nRabbi Nahman’s philosophical and literary work has generated great interest among artists in various fields over the course of the last few decades, an interest of such degree and power that it has no equal in the traditional Jewish world. In this article, I will discuss one element of Rabbi Nahman’s spiritual world that may explain to some degree the attraction of his work to painters and other artists who deal with visual arts, which is the important role of visions in his spiritual world and in his writings. I will also demonstrate how Rabbi Nahman uses the tools of visual imagery not only in his literary work but also in his philosophical work, as compiled in his two-volume book of sermons, Likutei Moharan (Collected Teachings of the Master), published in 1806 and 1811. I will then discuss the connection between the narrative and visual layers of Rabbi Nahman’s work and worldview.","PeriodicalId":41613,"journal":{"name":"Images","volume":"1 1","pages":"1-11"},"PeriodicalIF":0.2000,"publicationDate":"2020-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Picture and Story: On the Use of Visual Imagery in the Writing of Rabbi Nahman of Bratslav\",\"authors\":\"Z. Mark\",\"doi\":\"10.1163/18718000-12340126\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n\\nRabbi Nahman’s philosophical and literary work has generated great interest among artists in various fields over the course of the last few decades, an interest of such degree and power that it has no equal in the traditional Jewish world. In this article, I will discuss one element of Rabbi Nahman’s spiritual world that may explain to some degree the attraction of his work to painters and other artists who deal with visual arts, which is the important role of visions in his spiritual world and in his writings. I will also demonstrate how Rabbi Nahman uses the tools of visual imagery not only in his literary work but also in his philosophical work, as compiled in his two-volume book of sermons, Likutei Moharan (Collected Teachings of the Master), published in 1806 and 1811. I will then discuss the connection between the narrative and visual layers of Rabbi Nahman’s work and worldview.\",\"PeriodicalId\":41613,\"journal\":{\"name\":\"Images\",\"volume\":\"1 1\",\"pages\":\"1-11\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2020-11-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Images\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/18718000-12340126\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Images","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/18718000-12340126","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Picture and Story: On the Use of Visual Imagery in the Writing of Rabbi Nahman of Bratslav
Rabbi Nahman’s philosophical and literary work has generated great interest among artists in various fields over the course of the last few decades, an interest of such degree and power that it has no equal in the traditional Jewish world. In this article, I will discuss one element of Rabbi Nahman’s spiritual world that may explain to some degree the attraction of his work to painters and other artists who deal with visual arts, which is the important role of visions in his spiritual world and in his writings. I will also demonstrate how Rabbi Nahman uses the tools of visual imagery not only in his literary work but also in his philosophical work, as compiled in his two-volume book of sermons, Likutei Moharan (Collected Teachings of the Master), published in 1806 and 1811. I will then discuss the connection between the narrative and visual layers of Rabbi Nahman’s work and worldview.
期刊介绍:
The study of Jewish art and visual culture, which has been cultivated for over a century in European, American and Israeli institutions, has burgeoned in the last fifteen years. Major universities have established graduate programs that integrate Jewish art and visual studies and Jewish museums dot the landscape in Israel, Europe and North America. Contemporary scholarship on Jewish art and visual culture intersects with concerns of the wider academy; a lively interchange among scholars has ensued. The field has now achieved the breadth and maturity to sustain an international journal that represents the interests of this interdisciplinary community of scholars.