阅读马所拉诗篇作为一本书:编辑趋势和编辑轨迹

IF 0.6 0 RELIGION
G. Prinsloo
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引用次数: 1

摘要

1985年出版的杰拉尔德·h·威尔逊的《希伯来诗篇编辑》标志着诗篇研究方法的明显转变。这篇文章回顾了从诗篇到诗篇注释的这种转变。北美学者倾向于遵循共时的方法,并描述诗篇的形状。德国学者倾向于使用历时的观点,并追踪《诗篇》的形成,以解释它是如何达到最终形式的。有越来越多的迹象表明,这两种主要的编辑希伯来诗篇的方法之间的对话和收敛,这掩盖了形式批判和礼仪的方法来编辑诗篇。塑形法和塑形法的拥护者倾向于提出一个特定的主题、组织原则或编辑意图来解释《诗篇》的最终形式。《诗篇》的多面性及其漫长而复杂的历史意味着,尽管有大量的出版物,但编辑趋势和编辑轨迹的最后一个词还没有说出来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Reading the Masoretic Psalter as a Book: Editorial Trends and Redactional Trajectories
The publication of Gerald H. Wilson’s The Editing of the Hebrew Psalter in 1985 marked a distinct shift in approaches to Psalms research. This article reviews this shift from psalm to Psalter exegesis. North American scholarship tends to follow a synchronic approach and to describe the shape of the Psalter. German scholarship tends to use a diachronic perspective and trace the shaping of the Psalter to explain how it attained its final form. There are growing signs of dialogue and convergence between these two main approaches to the editing of the Hebrew Psalter, which overshadow form-critical and liturgical approaches to the editing of the Psalter. Adherents of the shape and the shaping approach tend to propose a specific theme, organizational principle, or redactional intent to explain the Psalter’s final form. The multi-faceted nature of the Psalter and its long and complex history imply that, in spite of a multitude of publications, the last word on editorial trends and redactional trajectories has not been spoken.
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