年轻的Banyumasan街头商人作为现代性的塑造者:雅加达的刷新、生产和恶作剧的追求

Pub Date : 2021-06-01 DOI:10.1353/jeu.2021.0008
Traci Marie Sudana
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引用次数: 0

摘要

摘要:印度尼西亚的Banyumasan爪哇人通常被认为比其他爪哇人更有趣。这里的民族志描述说明了雅加达年轻的Banyumasan街头小贩是如何在工作中表演和参与大笑、开玩笑和恶作剧的。交叉分析揭示了开玩笑和恶作剧作为启发式方法的效用,以理解在印度尼西亚的地位、耻辱、工作移民和成长的情感维度。笑话和恶作剧的多义性涉及同志情谊和他人,不协调和期望,代理和压迫,以及工作中的年轻人之间的主体间关系。这种将Banyumasan街头小贩视为城市小丑和弄臣的观点,他们“从底层”为彼此制造和消费幽默,这与之前关于爪哇幽默的学术研究不同,后者关注的是舞台皮影戏(wayang kulit)表演中的小丑角色如何通过精致-未精致(halu -kasar)二元对立来断言和延续不平等,那些被视为kasar的人被视为缺乏某些东西。与此相反,这篇文章认为,笑话和恶作剧的作用是刷新和再生对kasar的理解,即人类是什么,以及在印度尼西亚街头经济中成长和工作的男孩的时间性、空间性和主体间性。
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Young Banyumasan Street Traders as Shapeshifters of Modernity: Refreshment, Production, and the Pursuit of Pranks and Jokes in Jakarta
Abstract:Banyumasan Javanese people of Indonesia are often revered as funnier than other Javanese. Ethnographic accounts herein illuminate how young, Banyumasan street traders in Jakarta perform and participate in laughing, joking, and pranking at work. Intersectional analysis reveals the utility of joking and pranking as heuristics to understand the affective dimensions of status, stigmatization, migrating for work, and growing up in Indonesia. The polysemic nature of jokes and pranks reference camaraderie and othering, incongruities and expectations, agency and oppression, as well as intersubjective relations between young men at work. This view of Banyumasan street traders as urban jokers and jesters, producing and consuming humour "from below" for and about each other, departs from previous scholarship on humour in Java, which has focused on how clown characters in staged shadow puppet (wayang kulit) performances have asserted and perpetuated inequalities through a refined-unrefined (halus-kasar) binary whereby those deemed kasar are seen as lacking something. This article, in contrast, asserts the utility of jokes and pranks to refreshing and regenerating understandings of kasar, what it is to be human, and the temporalities, spatialities, and intersubjectivities of boys growing up and working in Indonesia's street economy.
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