拆除面孔：“控制社会”时代的外观与建筑空间

IF 1.1 0 ARCHITECTURE

Architecture and Culture Pub Date : 2022-04-03 DOI:10.1080/20507828.2022.2059908

G. Themistokleous

{"title":"拆除面孔：“控制社会”时代的外观与建筑空间","authors":"G. Themistokleous","doi":"10.1080/20507828.2022.2059908","DOIUrl":null,"url":null,"abstract":"Abstract In the age of “control societies” there is a need to re-situate understandings of the face in architecture. Historical readings of the face in architecture remain rooted in an anthropomorphism that fails to consider current forms of “simulated surveillance” and the emerging non-human visualities that ensue from such a surveillance apparatus. The article considers the change from disciplinary surveillance, as observed in the Larkin Building, to today’s simulated surveillance. Referring to readings of the face by Gilles Deleuze, Félix Guattari, and Mark Cousins, the article traces alternative readings of facial codification. Toward this end, the “Eyes of the City” exhibition (2020) and the media installation, the diplorasis, are used to consider affective readings of the face that enable yet-to-be determined relations between human and non-human visualities. The aim of this article is to speculate on reversing the one-way visual control of space and the ensuing overdetermined architectural programming of the human.","PeriodicalId":42146,"journal":{"name":"Architecture and Culture","volume":"10 1","pages":"304 - 325"},"PeriodicalIF":1.1000,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Dismantling the Face: Faciality and Architectural Space in the Age of “Control Societies”\",\"authors\":\"G. Themistokleous\",\"doi\":\"10.1080/20507828.2022.2059908\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract In the age of “control societies” there is a need to re-situate understandings of the face in architecture. Historical readings of the face in architecture remain rooted in an anthropomorphism that fails to consider current forms of “simulated surveillance” and the emerging non-human visualities that ensue from such a surveillance apparatus. The article considers the change from disciplinary surveillance, as observed in the Larkin Building, to today’s simulated surveillance. Referring to readings of the face by Gilles Deleuze, Félix Guattari, and Mark Cousins, the article traces alternative readings of facial codification. Toward this end, the “Eyes of the City” exhibition (2020) and the media installation, the diplorasis, are used to consider affective readings of the face that enable yet-to-be determined relations between human and non-human visualities. The aim of this article is to speculate on reversing the one-way visual control of space and the ensuing overdetermined architectural programming of the human.\",\"PeriodicalId\":42146,\"journal\":{\"name\":\"Architecture and Culture\",\"volume\":\"10 1\",\"pages\":\"304 - 325\"},\"PeriodicalIF\":1.1000,\"publicationDate\":\"2022-04-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Architecture and Culture\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/20507828.2022.2059908\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ARCHITECTURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Architecture and Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/20507828.2022.2059908","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHITECTURE","Score":null,"Total":0}

引用次数: 0

摘要

在“控制社会”的时代，有必要重新定位对建筑面孔的理解。历史上对建筑面孔的解读仍然植根于拟人论，没有考虑到当前形式的“模拟监视”，以及从这种监视设备中产生的非人类视觉。本文考虑了从在拉金大楼观察到的纪律监视到今天的模拟监视的变化。参考Gilles Deleuze, f lix Guattari和Mark Cousins对面部的解读，文章追踪了面部编码的其他解读。为此，“城市之眼”展览(2020年)和媒体装置“diplorasis”被用来考虑对面部的情感解读，从而实现人类与非人类视觉之间尚未确定的关系。本文的目的是推测如何扭转对空间的单向视觉控制以及随之而来的人类过度确定的建筑规划。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

Dismantling the Face: Faciality and Architectural Space in the Age of “Control Societies”

Abstract In the age of “control societies” there is a need to re-situate understandings of the face in architecture. Historical readings of the face in architecture remain rooted in an anthropomorphism that fails to consider current forms of “simulated surveillance” and the emerging non-human visualities that ensue from such a surveillance apparatus. The article considers the change from disciplinary surveillance, as observed in the Larkin Building, to today’s simulated surveillance. Referring to readings of the face by Gilles Deleuze, Félix Guattari, and Mark Cousins, the article traces alternative readings of facial codification. Toward this end, the “Eyes of the City” exhibition (2020) and the media installation, the diplorasis, are used to consider affective readings of the face that enable yet-to-be determined relations between human and non-human visualities. The aim of this article is to speculate on reversing the one-way visual control of space and the ensuing overdetermined architectural programming of the human.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

Architecture and Culture ARCHITECTURE-

CiteScore

0.80

自引率

0.00%

发文量

期刊介绍： Architecture and Culture, the international award winning, peer-reviewed journal of the Architectural Humanities Research Association, investigates the relationship between architecture and the culture that shapes and is shaped by it. Whether culture is understood extensively, as shared experience of everyday life, or in terms of the rules and habits of different disciplinary practices, Architecture and Culture asks how architecture participates in and engages with it – and how both culture and architecture might be reciprocally transformed. Architecture and Culture publishes exploratory research that is purposively imaginative, rigorously speculative, visually and verbally stimulating. From architects, artists and urban designers, film-makers, animators and poets, from historians of culture and architecture, from geographers, anthropologists and other social scientists, from thinkers and writers of all kinds, established and new, it solicits essays, critical reviews, interviews, fictional narratives in both images and words, art and building projects, and design hypotheses. Architecture and Culture aims to promote a conversation between all those who are curious about what architecture might be and what it can do.