{"title":"对约翰·罗克的新认识:他的雕刻艺术家生涯和他的两幅伟大的城市地图:伦敦(1746)和都柏林(1756)","authors":"J. Montague","doi":"10.1080/03085694.2022.2042125","DOIUrl":null,"url":null,"abstract":"ABSTRACT In the context of the sparse documentary evidence for the important mid-eighteenth-century mapmaker John Rocque, this article looks to examine the nature and development of the Huguenot’s professional career through a closer consideration of a broader sampling of his output than has previously been the case. This entails an acknowledgement of the importance of his work as a decorative and topographical engraver, which predates his more famous city and county maps, as well as a sustained consideration of his last great original city plan, An Exact Survey of Dublin. This was Rocque’s only house-by-house city map, one over which he had full control and that is more representative of his map making than the 24-sheet London map for which he is generally more famous. Rocque’s move from estate surveyor to city mapmaker is considered in the light of the previously only partly explored input into the surveying methodology of the London map by the Royal Society’s secretary Peter Davall. Attention is also drawn to two previously unpublished letters by Rocque to his nephew in Mannheim, written the year before Rocque went to Dublin in 1754, and which point to Rocque’s expectations of his own demise.","PeriodicalId":44589,"journal":{"name":"Imago Mundi-The International Journal for the History of Cartography","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"New Light on John Rocque: His Career as Artist-Engraver and His Two Great City Maps of London (1746) and Dublin (1756)\",\"authors\":\"J. Montague\",\"doi\":\"10.1080/03085694.2022.2042125\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT In the context of the sparse documentary evidence for the important mid-eighteenth-century mapmaker John Rocque, this article looks to examine the nature and development of the Huguenot’s professional career through a closer consideration of a broader sampling of his output than has previously been the case. This entails an acknowledgement of the importance of his work as a decorative and topographical engraver, which predates his more famous city and county maps, as well as a sustained consideration of his last great original city plan, An Exact Survey of Dublin. This was Rocque’s only house-by-house city map, one over which he had full control and that is more representative of his map making than the 24-sheet London map for which he is generally more famous. Rocque’s move from estate surveyor to city mapmaker is considered in the light of the previously only partly explored input into the surveying methodology of the London map by the Royal Society’s secretary Peter Davall. Attention is also drawn to two previously unpublished letters by Rocque to his nephew in Mannheim, written the year before Rocque went to Dublin in 1754, and which point to Rocque’s expectations of his own demise.\",\"PeriodicalId\":44589,\"journal\":{\"name\":\"Imago Mundi-The International Journal for the History of Cartography\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Imago Mundi-The International Journal for the History of Cartography\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.1080/03085694.2022.2042125\",\"RegionNum\":4,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"GEOGRAPHY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Imago Mundi-The International Journal for the History of Cartography","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1080/03085694.2022.2042125","RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"GEOGRAPHY","Score":null,"Total":0}
New Light on John Rocque: His Career as Artist-Engraver and His Two Great City Maps of London (1746) and Dublin (1756)
ABSTRACT In the context of the sparse documentary evidence for the important mid-eighteenth-century mapmaker John Rocque, this article looks to examine the nature and development of the Huguenot’s professional career through a closer consideration of a broader sampling of his output than has previously been the case. This entails an acknowledgement of the importance of his work as a decorative and topographical engraver, which predates his more famous city and county maps, as well as a sustained consideration of his last great original city plan, An Exact Survey of Dublin. This was Rocque’s only house-by-house city map, one over which he had full control and that is more representative of his map making than the 24-sheet London map for which he is generally more famous. Rocque’s move from estate surveyor to city mapmaker is considered in the light of the previously only partly explored input into the surveying methodology of the London map by the Royal Society’s secretary Peter Davall. Attention is also drawn to two previously unpublished letters by Rocque to his nephew in Mannheim, written the year before Rocque went to Dublin in 1754, and which point to Rocque’s expectations of his own demise.
期刊介绍:
The English-language, fully-refereed, journal Imago Mundi was founded in 1935 and is the only international, interdisciplinary and scholarly journal solely devoted to the study of early maps in all their aspects. Full-length articles, with abstracts in English, French, German and Spanish, deal with the history and interpretation of non-current maps and mapmaking in any part of the world. Shorter articles communicate significant new findings or new opinions. All articles are fully illustrated. Each volume also contains three reference sections that together provide an up-to-date summary of current developments and make Imago Mundi a vital journal of record as well as information and debate: Book Reviews; an extensive and authoritative Bibliography.