制作金属制品

IF 0.2 Q3 Arts and Humanities
Perfect Beat Pub Date : 2023-01-31 DOI:10.1558/prbt.23740
Catherine Hoad, Ian Moore
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引用次数: 0

摘要

这篇文章探讨了新西兰的重金属乐队在不断变化的金属市场中的生活经历,以及音乐产业快速发展的数字景观。通过对四个成熟的金属乐队的采访,我们探索了金属音乐家是否能够将音乐变成一种可行的职业,以及金属的商业和技术景观的变化如何可能也带来了主流与地下的不同观点。商业化与真实性,业余与专业。这些采访表明,这种二元性在音乐家如何体验或拒绝金属作为一种创业活动方面继续发挥着复杂的作用,其中类型与地理的巧合,以及金属长期以来的反商业和反建制话语,影响着职业期望和机会。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Making metal work
This article explores lived experiences of heavy metal careers in Aotearoa/New Zealand as bands navigate shifting metal markets, and rapidly expanding digital landscapes for the music industry more generally. Drawing from interviews conducted with four established metal bands in Aotearoa—Blindfolded and Led to the Woods (Otautahi/Christchurch), Shepherds Reign (Tamaki Makaurau/Auckland), Stälker and Bulletbelt (both from Te Whanganui-a-Tara/Wellington)—we explore whether metal musicians are able to make music into a viable career, and furthermore how the changing commercial and technological landscapes for metal might have also brought about differing ideas of the mainstream versus the underground, commerciality versus authenticity, and amateurism versus professionalism. Such binaries, these interviews show, continue to play a complex role in how musicians experience, or reject, metal as an entrepreneurial activity, where the coincidence of genre with geography, and metal’s long-held anti-commercial and anti-establishment discourses, influence career expectations and opportunities.
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来源期刊
Perfect Beat
Perfect Beat MUSIC-
CiteScore
0.60
自引率
0.00%
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0
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