去内尔和回来：快速拜访情妇

Q3 Arts and Humanities

Renaissance Drama Pub Date : 2019-09-01 DOI:10.1086/705891

R. Gaby, Alice Leonard, James D. Mardock, H. Ostovich

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引用次数: 1

摘要

尽管从1597年到现在，莎士比亚笔下的《Falstaff》的受欢迎程度经常得到认可，但他的异性恋女性《快速情妇》却相对较少受到关注。然而，她很受欢迎，莎士比亚将她纳入了四部戏剧，在不同的社会背景下，但声音始终不一致。这次合作回顾了《亨利四世》、《亨利五世》和《温莎的风流妻子》这四部剧中女主人公的角色，借鉴了我们为网络莎士比亚版电子编辑这个角色的经验。这些论文报道了电子编辑Mistress Quick暴露出的问题、选择和见解

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To Nell and Back: Revisiting Mistress Quickly

Although the popularity of Shakespeare's Falstaff from 1597 to now receives frequent acknowledgement, his straight-woman, Mistress Quickly, has attracted relatively scant attention. She was popular enough, however, for Shakespeare to include her in four plays, within varied social contexts but with a consistently inconsistent voice. This collaboration reviews the role of Mistress Quickly across all four plays — 1&2 Henry IV, Henry V and The Merry Wives of Windsor — drawing on our experience of editing the character electronically for Internet Shakespeare Editions. These papers report on the problems, choices, and insights that e-editing Mistress Quickly has exposed

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来源期刊

Renaissance Drama Arts and Humanities-Literature and Literary Theory

CiteScore

0.30

自引率

0.00%

发文量