通过多模式注释进入舞蹈表演:用分数进行注释

IF 0.8 0 THEATER
D. Kleida
{"title":"通过多模式注释进入舞蹈表演:用分数进行注释","authors":"D. Kleida","doi":"10.1080/14794713.2021.1880182","DOIUrl":null,"url":null,"abstract":"ABSTRACT In this short report, I share my experience of getting to know the choreographic practice of choreographer Jonathan Burrows and composer Matteo Fargion using the Motion Bank digital annotation tool Piecemaker. My report narrates the process of coming from a place of not knowing their practice at all to a deeper understanding through listening to interviews and deciphering their scorebooks. I present some of the thought processes and steps I took using Piecemaker, and how this led me to explore different references (e.g. other composers, historical performance forms, etc.) they draw upon to create their choreographies. I then share the results of my study using the Motion Bank publishing tool MoSys.","PeriodicalId":38661,"journal":{"name":"International Journal of Performance Arts and Digital Media","volume":"17 1","pages":"19 - 30"},"PeriodicalIF":0.8000,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14794713.2021.1880182","citationCount":"0","resultStr":"{\"title\":\"Entering a dance performance through multimodal annotation: annotating with scores\",\"authors\":\"D. Kleida\",\"doi\":\"10.1080/14794713.2021.1880182\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT In this short report, I share my experience of getting to know the choreographic practice of choreographer Jonathan Burrows and composer Matteo Fargion using the Motion Bank digital annotation tool Piecemaker. My report narrates the process of coming from a place of not knowing their practice at all to a deeper understanding through listening to interviews and deciphering their scorebooks. I present some of the thought processes and steps I took using Piecemaker, and how this led me to explore different references (e.g. other composers, historical performance forms, etc.) they draw upon to create their choreographies. I then share the results of my study using the Motion Bank publishing tool MoSys.\",\"PeriodicalId\":38661,\"journal\":{\"name\":\"International Journal of Performance Arts and Digital Media\",\"volume\":\"17 1\",\"pages\":\"19 - 30\"},\"PeriodicalIF\":0.8000,\"publicationDate\":\"2021-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/14794713.2021.1880182\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"International Journal of Performance Arts and Digital Media\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/14794713.2021.1880182\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Performance Arts and Digital Media","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14794713.2021.1880182","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
引用次数: 0

摘要

在这篇简短的报告中,我分享了我使用Motion Bank数字注释工具Piecemaker了解编舞家Jonathan Burrows和作曲家Matteo Fargion编舞实践的经验。我的报告讲述了从一个完全不了解他们的实践的地方,到通过听采访和破译他们的记分簿而更深入地了解他们的过程。我展示了我使用Piecemaker的一些思维过程和步骤,以及这如何引导我探索不同的参考(例如其他作曲家,历史表演形式等),他们利用这些参考来创作他们的编舞。然后,我使用Motion Bank发布工具MoSys分享我的研究结果。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Entering a dance performance through multimodal annotation: annotating with scores
ABSTRACT In this short report, I share my experience of getting to know the choreographic practice of choreographer Jonathan Burrows and composer Matteo Fargion using the Motion Bank digital annotation tool Piecemaker. My report narrates the process of coming from a place of not knowing their practice at all to a deeper understanding through listening to interviews and deciphering their scorebooks. I present some of the thought processes and steps I took using Piecemaker, and how this led me to explore different references (e.g. other composers, historical performance forms, etc.) they draw upon to create their choreographies. I then share the results of my study using the Motion Bank publishing tool MoSys.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
International Journal of Performance Arts and Digital Media
International Journal of Performance Arts and Digital Media Arts and Humanities-Visual Arts and Performing Arts
CiteScore
1.70
自引率
0.00%
发文量
29
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信