{"title":"Chris Cundy:粗暴的尝试","authors":"Seth Rozanoff","doi":"10.1162/comj_r_00584","DOIUrl":null,"url":null,"abstract":"Chris Cundy’s Crude Attempt is a collection of four tracks, constructed in his home studio in Gloucestershire, England. This work’s instrumental range consists of bass clarinet, a Korg MS20 synthesizer, Watkins Copicat tape echo, and amplified flutes—shaping a musical relationship between the bass clarinet and a sound world stemming from electronic instruments. Using this sonic palette, Cundy creates delicate and subtle timbral combinations. His studio environment, as well as the social restrictions due to Covid lockdown in England, greatly influenced Cundy’s recent thinking. As such, it is this social scenario that led to a heightened sense of place, compared with his previous work. This awareness enabled Cundy to shift focus onto sonic elements that ultimately result in carefully managing seemingly less demonstrative gestures—meaning that the issue of “liveness,” or how","PeriodicalId":50639,"journal":{"name":"Computer Music Journal","volume":"44 4","pages":"77-78"},"PeriodicalIF":0.4000,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Chris Cundy: Crude Attempt\",\"authors\":\"Seth Rozanoff\",\"doi\":\"10.1162/comj_r_00584\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Chris Cundy’s Crude Attempt is a collection of four tracks, constructed in his home studio in Gloucestershire, England. This work’s instrumental range consists of bass clarinet, a Korg MS20 synthesizer, Watkins Copicat tape echo, and amplified flutes—shaping a musical relationship between the bass clarinet and a sound world stemming from electronic instruments. Using this sonic palette, Cundy creates delicate and subtle timbral combinations. His studio environment, as well as the social restrictions due to Covid lockdown in England, greatly influenced Cundy’s recent thinking. As such, it is this social scenario that led to a heightened sense of place, compared with his previous work. This awareness enabled Cundy to shift focus onto sonic elements that ultimately result in carefully managing seemingly less demonstrative gestures—meaning that the issue of “liveness,” or how\",\"PeriodicalId\":50639,\"journal\":{\"name\":\"Computer Music Journal\",\"volume\":\"44 4\",\"pages\":\"77-78\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2021-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Computer Music Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://ieeexplore.ieee.org/document/9655676/\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Computer Music Journal","FirstCategoryId":"1085","ListUrlMain":"https://ieeexplore.ieee.org/document/9655676/","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS","Score":null,"Total":0}
引用次数: 0
摘要
Chris Cundy的《Crude Attempt》是他在英格兰格洛斯特郡的家庭工作室里创作的四首曲目。该作品的器乐范围包括低音单簧管,Korg MS20合成器,Watkins Copicat磁带回声和放大长笛,塑造了低音单簧管和源自电子乐器的声音世界之间的音乐关系。使用这种声音调色板,甘迪创造了精致而微妙的音色组合。他的工作室环境,以及英国因新冠疫情而受到的社会限制,极大地影响了他最近的思考。因此,与他之前的作品相比,正是这种社会场景导致了高度的地方感。这种意识使Cundy能够将注意力转移到声音元素上,最终导致仔细管理看似不那么明显的手势-这意味着“活泼”的问题,或者如何
Chris Cundy’s Crude Attempt is a collection of four tracks, constructed in his home studio in Gloucestershire, England. This work’s instrumental range consists of bass clarinet, a Korg MS20 synthesizer, Watkins Copicat tape echo, and amplified flutes—shaping a musical relationship between the bass clarinet and a sound world stemming from electronic instruments. Using this sonic palette, Cundy creates delicate and subtle timbral combinations. His studio environment, as well as the social restrictions due to Covid lockdown in England, greatly influenced Cundy’s recent thinking. As such, it is this social scenario that led to a heightened sense of place, compared with his previous work. This awareness enabled Cundy to shift focus onto sonic elements that ultimately result in carefully managing seemingly less demonstrative gestures—meaning that the issue of “liveness,” or how
期刊介绍:
Computer Music Journal is published quarterly with an annual sound and video anthology containing curated music¹. For four decades, it has been the leading publication about computer music, concentrating fully on digital sound technology and all musical applications of computers. This makes it an essential resource for musicians, composers, scientists, engineers, computer enthusiasts, and anyone exploring the wonders of computer-generated sound.
Edited by experts in the field and featuring an international advisory board of eminent computer musicians, issues typically include:
In-depth articles on cutting-edge research and developments in technology, methods, and aesthetics of computer music
Reports on products of interest, such as new audio and MIDI software and hardware
Interviews with leading composers of computer music
Announcements of and reports on conferences and courses in the United States and abroad
Publication, event, and recording reviews
Tutorials, letters, and editorials
Numerous graphics, photographs, scores, algorithms, and other illustrations.