时间的处理

IF 0.1 0 FILM, RADIO, TELEVISION

Short Film Studies Pub Date : 2019-04-01 DOI:10.1386/SFS.9.2.165_1

Jacques Lefebvre-Linetzky

{"title":"时间的处理","authors":"Jacques Lefebvre-Linetzky","doi":"10.1386/SFS.9.2.165_1","DOIUrl":null,"url":null,"abstract":"The story unfolds chronologically and each sequence has a specific ‘time quality’ according to who appears on-screen. The death of the grandmother evokes the past, while most of the story takes place in the present as told by the omniscient camera. The future brings a paradoxical\n sense of closure.","PeriodicalId":40193,"journal":{"name":"Short Film Studies","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The handling of time\",\"authors\":\"Jacques Lefebvre-Linetzky\",\"doi\":\"10.1386/SFS.9.2.165_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The story unfolds chronologically and each sequence has a specific ‘time quality’ according to who appears on-screen. The death of the grandmother evokes the past, while most of the story takes place in the present as told by the omniscient camera. The future brings a paradoxical\\n sense of closure.\",\"PeriodicalId\":40193,\"journal\":{\"name\":\"Short Film Studies\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2019-04-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Short Film Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/SFS.9.2.165_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Short Film Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/SFS.9.2.165_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}

引用次数: 0

摘要

故事按时间顺序展开，根据屏幕上出现的人，每个序列都有特定的“时间质量”。祖母的死让人想起了过去，而故事的大部分都发生在现在，由无所不知的摄像机讲述。未来带来了一种矛盾的结束感。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

The handling of time

The story unfolds chronologically and each sequence has a specific ‘time quality’ according to who appears on-screen. The death of the grandmother evokes the past, while most of the story takes place in the present as told by the omniscient camera. The future brings a paradoxical sense of closure.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

Short Film Studies FILM, RADIO, TELEVISION-

CiteScore

0.20

自引率

0.00%

发文量

期刊介绍： The main purposes of SFS are: To stimulate ongoing research on individual short films as a basis for a better understanding of the art form To provide a flow of cutting-edge teaching materials that can be used in courses in which short films are either studied or produced, at film schools or universities To offer fresh inspiration to filmmakers and other professionals working with short films in connection with festivals, national film institutes, regional film centres, etc. While the principal focus is on the short fiction film, other classic forms – such as the short documentary, the short experimental film and the short animation film – are also covered from time to time. In each issue, two productions are singled out for comprehensive presentation and close study. For each film, the reader will find production data, an interview with the director, a shot-by-shot breakdown of the film with a still illustrating every shot, a number of peer-reviewed articles that illuminate the film from a variety of perspectives and a link enabling subscribers to view the film.