通过每天听音乐成功达到影响自我调节的目标

IF 1.1 4区 计算机科学 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS
William M. Randall, Margarida Baltazar, Suvi Saarikallio
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引用次数: 3

摘要

虽然在手机上听音乐可以实现许多影响监管目标,但能否成功实现这些目标还有待经验评估。这项研究旨在确定听众成功达到他们的情感调节目标的频率,以及这种成功的预测因素。研究人员使用体验抽样应用程序MuPsych收集了293名芬兰参与者的数据。目标成功实现的案例不到一半,成年人比青少年更成功。成功在很大程度上是由环境决定的,并且是由听者最初的低价值情绪状态强烈预测的,这表明听音乐对那些处于消极状态的人特别有用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Success in reaching affect self-regulation goals through everyday music listening
While music listening on mobile phones can serve many affect-regulatory goals, success in reaching these goals is yet to be empirically assessed. This study aimed to determine how frequently listeners successfully reach their affect-regulatory goals, and the predictors of this success. Data were collected using the experience sampling app MuPsych, from 293 Finnish participants. Goals were successfully reached in less than half of cases, with adults more successful than adolescents. Success was determined largely within contexts, and strongly predicted by an initial low-valenced emotional state of the listener, suggesting that music listening is particularly useful for those in negative states.
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来源期刊
Journal of New Music Research
Journal of New Music Research 工程技术-计算机:跨学科应用
CiteScore
3.20
自引率
0.00%
发文量
5
审稿时长
>12 weeks
期刊介绍: The Journal of New Music Research (JNMR) publishes material which increases our understanding of music and musical processes by systematic, scientific and technological means. Research published in the journal is innovative, empirically grounded and often, but not exclusively, uses quantitative methods. Articles are both musically relevant and scientifically rigorous, giving full technical details. No bounds are placed on the music or musical behaviours at issue: popular music, music of diverse cultures and the canon of western classical music are all within the Journal’s scope. Articles deal with theory, analysis, composition, performance, uses of music, instruments and other music technologies. The Journal was founded in 1972 with the original title Interface to reflect its interdisciplinary nature, drawing on musicology (including music theory), computer science, psychology, acoustics, philosophy, and other disciplines.
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