{"title":"为伊丽莎白创作一首小曲:对1602年夏季游行音乐的思考","authors":"Ross W. Duffin","doi":"10.1017/s0261127920000066","DOIUrl":null,"url":null,"abstract":"The summer of 1602 featured a soggy ‘progress’ by Queen Elizabeth to various noble households in the vicinity of London, interspersed with elaborate royal entertainments. In the midst of the formal festivities occurred an enigmatic and apparently distressing incident involving the Queen, her Principal Secretary Robert Cecil, and his niece Elizabeth, Countess of Derby. Cecil hastily used songs to try to win back the lost favour of his Queen, and though his long-mislaid lyrics were identified a quarter-century ago, their music has remained unknown. This article reviews evidence of music for the songs, and for other events during that summer's progress.","PeriodicalId":42589,"journal":{"name":"EARLY MUSIC HISTORY","volume":"39 1","pages":"115 - 148"},"PeriodicalIF":0.2000,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/s0261127920000066","citationCount":"1","resultStr":"{\"title\":\"FRAMING A DITTY FOR ELIZABETH: THOUGHTS ON MUSIC FOR THE 1602 SUMMER PROGRESS\",\"authors\":\"Ross W. Duffin\",\"doi\":\"10.1017/s0261127920000066\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The summer of 1602 featured a soggy ‘progress’ by Queen Elizabeth to various noble households in the vicinity of London, interspersed with elaborate royal entertainments. In the midst of the formal festivities occurred an enigmatic and apparently distressing incident involving the Queen, her Principal Secretary Robert Cecil, and his niece Elizabeth, Countess of Derby. Cecil hastily used songs to try to win back the lost favour of his Queen, and though his long-mislaid lyrics were identified a quarter-century ago, their music has remained unknown. This article reviews evidence of music for the songs, and for other events during that summer's progress.\",\"PeriodicalId\":42589,\"journal\":{\"name\":\"EARLY MUSIC HISTORY\",\"volume\":\"39 1\",\"pages\":\"115 - 148\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2020-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1017/s0261127920000066\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"EARLY MUSIC HISTORY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/s0261127920000066\",\"RegionNum\":1,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"EARLY MUSIC HISTORY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/s0261127920000066","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
FRAMING A DITTY FOR ELIZABETH: THOUGHTS ON MUSIC FOR THE 1602 SUMMER PROGRESS
The summer of 1602 featured a soggy ‘progress’ by Queen Elizabeth to various noble households in the vicinity of London, interspersed with elaborate royal entertainments. In the midst of the formal festivities occurred an enigmatic and apparently distressing incident involving the Queen, her Principal Secretary Robert Cecil, and his niece Elizabeth, Countess of Derby. Cecil hastily used songs to try to win back the lost favour of his Queen, and though his long-mislaid lyrics were identified a quarter-century ago, their music has remained unknown. This article reviews evidence of music for the songs, and for other events during that summer's progress.
期刊介绍:
Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It gives preference to studies pursuing interdisciplinary approaches and to those developing new methodological ideas. The scope is broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society.