{"title":"巴里·詹金斯和《迈阿密月光男孩》:《家庭女孩的回应》","authors":"A. Mccluskey","doi":"10.2979/blackcamera.14.1.17","DOIUrl":null,"url":null,"abstract":"Abstract:The genesis of this essay is the coincidence of geography. Director Barry Jenkins, co-screenwriter Tarell Alvin McCraney, and the author grew up, in different time periods, in the same segregated neighborhood in Miami, Florida. Moonlight, winner of the Academy Award for Best Picture in 2016, is set mostly in this neighborhood. The author provides background—historical, personal, and social—that contextualizes characters and motivations, Jenkins's personal stake in the neighborhood and its citizens, and his ascendency in Hollywood.","PeriodicalId":42749,"journal":{"name":"Black Camera","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Barry Jenkins and Moonlight in Miami: Home Girls Respond\",\"authors\":\"A. Mccluskey\",\"doi\":\"10.2979/blackcamera.14.1.17\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:The genesis of this essay is the coincidence of geography. Director Barry Jenkins, co-screenwriter Tarell Alvin McCraney, and the author grew up, in different time periods, in the same segregated neighborhood in Miami, Florida. Moonlight, winner of the Academy Award for Best Picture in 2016, is set mostly in this neighborhood. The author provides background—historical, personal, and social—that contextualizes characters and motivations, Jenkins's personal stake in the neighborhood and its citizens, and his ascendency in Hollywood.\",\"PeriodicalId\":42749,\"journal\":{\"name\":\"Black Camera\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Black Camera\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2979/blackcamera.14.1.17\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Black Camera","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2979/blackcamera.14.1.17","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
Barry Jenkins and Moonlight in Miami: Home Girls Respond
Abstract:The genesis of this essay is the coincidence of geography. Director Barry Jenkins, co-screenwriter Tarell Alvin McCraney, and the author grew up, in different time periods, in the same segregated neighborhood in Miami, Florida. Moonlight, winner of the Academy Award for Best Picture in 2016, is set mostly in this neighborhood. The author provides background—historical, personal, and social—that contextualizes characters and motivations, Jenkins's personal stake in the neighborhood and its citizens, and his ascendency in Hollywood.
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