凤凰之翼:露西尔·克利夫顿的浪漫更新

IF 0.4 3区文学 0 LITERATURE

STUDIES IN ROMANTICISM Pub Date : 2022-03-01 DOI:10.1353/srm.2022.0011

Omar F. Miranda

{"title":"凤凰之翼:露西尔·克利夫顿的浪漫更新","authors":"Omar F. Miranda","doi":"10.1353/srm.2022.0011","DOIUrl":null,"url":null,"abstract":"Abstract:This essay offers readings of four of Lucille Clifton's poems in order to examine her references and allusions to the work of the \"big six\" British Romantic poets. It proposes that she transforms the writing of these historical authors to serve her own artistic and political ends. In her poems, voices across centuries, continents, races, and genders mingle methodically through a poetics of collaboration that both acknowledges and revises the poetry of these canonical white male poets for contemporary times and for diverse audiences.","PeriodicalId":44848,"journal":{"name":"STUDIES IN ROMANTICISM","volume":"61 1","pages":"125 - 135"},"PeriodicalIF":0.4000,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"On Phoenix Wings: Lucille Clifton's Romantic Renewals\",\"authors\":\"Omar F. Miranda\",\"doi\":\"10.1353/srm.2022.0011\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This essay offers readings of four of Lucille Clifton's poems in order to examine her references and allusions to the work of the \\\"big six\\\" British Romantic poets. It proposes that she transforms the writing of these historical authors to serve her own artistic and political ends. In her poems, voices across centuries, continents, races, and genders mingle methodically through a poetics of collaboration that both acknowledges and revises the poetry of these canonical white male poets for contemporary times and for diverse audiences.\",\"PeriodicalId\":44848,\"journal\":{\"name\":\"STUDIES IN ROMANTICISM\",\"volume\":\"61 1\",\"pages\":\"125 - 135\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2022-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"STUDIES IN ROMANTICISM\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/srm.2022.0011\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"STUDIES IN ROMANTICISM","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/srm.2022.0011","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}

引用次数: 0

摘要

摘要:本文选读了露西尔·克利夫顿的四首诗，以考察她对英国六大浪漫主义诗人作品的参考和典故。它提出她将这些历史作家的作品转化为她自己的艺术和政治目的。在她的诗歌中，不同世纪、不同大陆、不同种族和不同性别的声音通过一种协作的诗学方式有条不紊地融合在一起，这种协作既承认也修改了这些典型白人男性诗人的诗歌，以适应当代和不同的受众。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

On Phoenix Wings: Lucille Clifton's Romantic Renewals

Abstract:This essay offers readings of four of Lucille Clifton's poems in order to examine her references and allusions to the work of the "big six" British Romantic poets. It proposes that she transforms the writing of these historical authors to serve her own artistic and political ends. In her poems, voices across centuries, continents, races, and genders mingle methodically through a poetics of collaboration that both acknowledges and revises the poetry of these canonical white male poets for contemporary times and for diverse audiences.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

STUDIES IN ROMANTICISM LITERATURE-

CiteScore

0.40

自引率

0.00%

发文量

期刊介绍： Studies in Romanticism was founded in 1961 by David Bonnell Green at a time when it was still possible to wonder whether "romanticism" was a term worth theorizing (as Morse Peckham deliberated in the first essay of the first number). It seemed that it was, and, ever since, SiR (as it is known to abbreviation) has flourished under a fine succession of editors: Edwin Silverman, W. H. Stevenson, Charles Stone III, Michael Cooke, Morton Palet, and (continuously since 1978) David Wagenknecht. There are other fine journals in which scholars of romanticism feel it necessary to appear - and over the years there are a few important scholars of the period who have not been represented there by important work.