《呼吸的记忆》,《记忆的呼吸

IF 0.3 3区 文学 0 LITERATURE
F. Berthet, D. F. Bell
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引用次数: 0

摘要

小纸鱼剪纸被放在地上,地毯上。我们这里是70年代医生办公室里那种令人安心的风格。地毯柔软,闪闪发光,就像室内装饰杂志上的一样。我们根本不在乎戴森真空吸尘器和“净化器”在几十年后吹嘘自己能消灭什么:螨虫,那些微小的家养节虫,人类寄生虫(尤其是),以及传染病的空气传播媒介(感冒、咳嗽、呼吸窘迫)。不,在1975年的春天,这位温文尔雅的医生在他的豪华公寓里炫耀着华丽的地毯和卷曲的绒毛,里面有最先进的候诊室。在这间富丽堂皇的医务室里,一位身穿白大褂的男子正在从事他的重要工作。例如,那天一个小女孩正在重新学习如何呼吸。有人可能会认为,呼气和吸气是终生学习的——从出生的第一声啼哭开始,我们就学会了呼吸,呼吸,呼吸。但事实上,有时在生活中呼吸会卡在鼻腔和支气管之间,呼吸道和肺部之间。渐渐地,不知不觉地,机体缺乏空气,恶意感染扩散和损害
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Comme Elle Respire: Memory of Breath, Breath of Memory
Little paper-fish cutouts have been placed on the ground, on the carpet. We’re in the reassuring ‘70s stylishness of a doctor’s office. The carpet is soft and glistens like in interior decoration magazines, it’s with it, in. We couldn’t care less about what Dyson vacuum cleaners and “purifiers” boast they can eliminate several decades later: acarids, those microscopic domestic arthropods, human parasites (notably), and airborne vectors of infectious disease (colds, coughs, respiratory distress). No, in the spring of 1975, innocently and self-satisfyingly, the urbane doctor flaunts the opulent carpet with curly pile in his luxury apartment with its state-ofthe-art waiting room. In this grand interior of a medical office, a man in a white coat plies his important trade. For example, that day a little girl is re-learning how to breathe. One might think that exhaling and inhaling is learned for life—je t’aime comme je respire, elle parle comme elle respire, il ment comme il respire1—from the very first cry at birth. But in fact, sometimes in life breathing gets stuck between the nasal cavity and the bronchial tubes, between the respiratory tract and the lungs. Progressively, imperceptibly, the organism is short of air, a malicious infection spreads and impairs
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来源期刊
SUB-STANCE
SUB-STANCE LITERATURE-
CiteScore
0.20
自引率
0.00%
发文量
21
期刊介绍: SubStance has a long-standing reputation for publishing innovative work on literature and culture. While its main focus has been on French literature and continental theory, the journal is known for its openness to original thinking in all the discourses that interact with literature, including philosophy, natural and social sciences, and the arts. Join the discerning readers of SubStance who enjoy crossing borders and challenging limits.
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