{"title":"《迈达斯夫人》(1888):休谟复制出版界辉煌的尝试之一","authors":"R. Franks","doi":"10.5325/JASIAPACIPOPCULT.3.2.0303","DOIUrl":null,"url":null,"abstract":"abstract:The year 2017 marked the eighty-fifth anniversary of the death of Fergusson (Fergus) Wright Hume (1859–1932). Best known for his hugely successful debut novel The Mystery of a Hansom Cab (1886), set in Australia’s Melbourne, Hume went on to write many more works of fiction in the form of novels and short stories. These efforts resulted in a vast array of titles but none that captured the public imagination on a large scale and they are, today, mere curiosities of literary history. The closest that Hume came to replicating the publishing glory of The Mystery of a Hansom Cab was with his Australian-based murder mystery Madame Midas (1888). This article briefly explores Madame Midas and, while noting the story’s modest successes as both a book and a stage play, offers feminist and nationalist-focused rationales for this work’s inability to generate the same levels of excitement that surrounded, and continue to surround, Hume’s first novel.","PeriodicalId":40211,"journal":{"name":"Journal of Asia-Pacific Pop Culture","volume":"3 1","pages":"303 - 323"},"PeriodicalIF":0.2000,"publicationDate":"2019-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Madame Midas (1888): One of Fergus Hume’s Attempts to Replicate Publishing Glory\",\"authors\":\"R. Franks\",\"doi\":\"10.5325/JASIAPACIPOPCULT.3.2.0303\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"abstract:The year 2017 marked the eighty-fifth anniversary of the death of Fergusson (Fergus) Wright Hume (1859–1932). Best known for his hugely successful debut novel The Mystery of a Hansom Cab (1886), set in Australia’s Melbourne, Hume went on to write many more works of fiction in the form of novels and short stories. These efforts resulted in a vast array of titles but none that captured the public imagination on a large scale and they are, today, mere curiosities of literary history. The closest that Hume came to replicating the publishing glory of The Mystery of a Hansom Cab was with his Australian-based murder mystery Madame Midas (1888). This article briefly explores Madame Midas and, while noting the story’s modest successes as both a book and a stage play, offers feminist and nationalist-focused rationales for this work’s inability to generate the same levels of excitement that surrounded, and continue to surround, Hume’s first novel.\",\"PeriodicalId\":40211,\"journal\":{\"name\":\"Journal of Asia-Pacific Pop Culture\",\"volume\":\"3 1\",\"pages\":\"303 - 323\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2019-01-05\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Asia-Pacific Pop Culture\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5325/JASIAPACIPOPCULT.3.2.0303\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Asia-Pacific Pop Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5325/JASIAPACIPOPCULT.3.2.0303","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Madame Midas (1888): One of Fergus Hume’s Attempts to Replicate Publishing Glory
abstract:The year 2017 marked the eighty-fifth anniversary of the death of Fergusson (Fergus) Wright Hume (1859–1932). Best known for his hugely successful debut novel The Mystery of a Hansom Cab (1886), set in Australia’s Melbourne, Hume went on to write many more works of fiction in the form of novels and short stories. These efforts resulted in a vast array of titles but none that captured the public imagination on a large scale and they are, today, mere curiosities of literary history. The closest that Hume came to replicating the publishing glory of The Mystery of a Hansom Cab was with his Australian-based murder mystery Madame Midas (1888). This article briefly explores Madame Midas and, while noting the story’s modest successes as both a book and a stage play, offers feminist and nationalist-focused rationales for this work’s inability to generate the same levels of excitement that surrounded, and continue to surround, Hume’s first novel.