多爱的罪过:摩洛哥在年轻妓女的镜子中的反映

IF 0.2 0 FILM, RADIO, TELEVISION

Journal of African Cinemas Pub Date : 2020-03-01 DOI:10.1386/jac_00024_1

Samia Charkioui

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引用次数: 0

摘要

摩洛哥导演纳比勒·阿尤尤的电影《深爱》于2015年在法国上映，同年在戛纳电影节上入围，是法国电影史上的一个重大转折点。在戛纳首映一周后，摩洛哥通讯部正式禁止该片在银幕上上映，该片在摩洛哥社会引发了一场情感风暴和前所未有的辩论，而公众从未看到过，只是基于互联网上泄露的一些摘录。这部电影讲述了旅游城市马拉喀什四个靠卖淫为生的年轻女性的生活。本文将深入分析影片所承载的违法因素，以及这些因素如何让我们更了解影片对摩洛哥社会的暴力镜像影响。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Much Loved transgressions: Morocco’s reflection in the mirror of its young prostitutes

Much Loved, a Moroccan movie by director Nabil Ayouch released in French cinemas in 2015 and selected at La Quinzaine des Réalisateurs in Cannes the same year, represents a major turning point in the history of national cinema. Officially banned from screens by the Moroccan Ministry of Communications one week after its premiere in Cannes, it unleashed an emotional storm and an unprecedented debate in the Moroccan society without ever having been seen by the public and only on the basis of some extracts leaked on the internet. The movie relates the lives of four young women living on prostitution in the touristic city of Marrakesh. This article provides an in-depth analysis of the factors of transgression carried by the movie and how they enable a better understanding of its violent mirroring impact on the Moroccan society.

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来源期刊

Journal of African Cinemas FILM, RADIO, TELEVISION-

CiteScore

0.40

自引率

0.00%

发文量

期刊介绍： The Journal of African Cinemas will explore the interactions of visual and verbal narratives in African film. It recognizes the shifting paradigms that have defined and continue to define African cinemas. Identity and perception are interrogated in relation to their positions within diverse African film languages. The editors are seeking papers that expound on the identity or identities of Africa and its peoples represented in film. The aim is to create a forum for debate that will promote inter-disciplinarity between cinema and other visual and rhetorical forms of representation.