白话中的救赎:孟的新约和后三一时代的虔诚

IF 0.2 3区 历史学 Q2 HISTORY
Elizaveta Al-Faradzh
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引用次数: 1

摘要

1667年,一群与皇家港修道院有联系的知识分子用法语印刷并分发了新版《新约》。这篇文章将他们的翻译放在后三叉戟宗教实践的更广泛背景下,并描述了出版后的争论。皇家港的奉献理想将圣经文本置于其基础之上。这一理想及其在出版通俗易懂的《圣经》中的实施引起了批评,并促使安托万·阿诺德公开为该项目辩护和辩护。批评者谴责普遍获取《圣经》的教义,鼓励妇女和普通人阅读《圣经》,以及皇家港采用的翻译方法。皇家港的作者认为翻译的“保真度”要求译文易于理解。但译者对无障碍性的关注并不局限于语言;他们致力于以各种形式出版自己的作品,以促进其在广大识字社会中的传播和使用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Salvation in the Vernacular: The New Testament of Mons and Post-Tridentine Piety
In 1667, a group of intellectuals associated with the monastery of Port-Royal printed and distributed a new version of the New Testament in French. This article places their translation within the broader context of post-Tridentine devotional practices, and describes the polemics that followed the publication. The Port-Royal ideal of devotion placed the text of the Scriptures at its foundation. This ideal and its enactment in publishing an accessible Bible aroused criticism and drove Antoine Arnauld to publicly defend and justify the project. Critics condemned the doctrine of universal access to the Bible, the encouragement of women and simple people to read Scripture, and the very method of translation adopted by Port-Royal. The Port-Royal authors considered the ‘fidelity’ of a translation to require the resultant text to be easily intelligible. But the translators’ focus on accessibility was not limited to language; they pursued the publication of their work in a variety of formats to promote its distribution and use among a wide section of the literate society.
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来源期刊
CiteScore
0.10
自引率
0.00%
发文量
14
期刊介绍: Early Modern French Studies (formerly Seventeenth-Century French Studies) publishes high-quality, peer-reviewed, original articles in English and French on a broad range of literary, cultural, methodological, and theoretical topics relating to the study of early modern France. The journal has expanded its historical scope and now covers work on the sixteenth, seventeenth, and eighteenth centuries. Within this period of French literary and cultural history, the journal particularly welcomes work that relates to the term ''early modern'', as well as work that interrogates it. It continues to publish special issues devoted to particular topics (such as the highly successful 2014 special issue on the cultural history of fans) as well as individual submissions.
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