“措辞”:拜厄特作品中的跨媒体叙事研究

Cai Xinyu
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引用次数: 1

摘要

随着跨媒体研究的发展,许多作家开始关注文学与其他艺术媒介的比较与转换,并将其应用于文学创作中。当代英国小说家拜厄特是跨媒体文学创作的实践者之一。通过“ekphrasis”的运用,她巧妙而自然地将艺术作品融入到文学创作中,使文本具有视觉效果。本文以A.S.拜厄特的三篇短篇小说《圣母玛利亚之家的基督》、《艺术作品》和《玫瑰色的茶杯》为例,探讨了她作品中绘画、雕塑和陶器的怪诞再创作,进而分析了不同艺术媒介之间的异语对文学文本所带来的深刻内涵。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“Ekphrasis”: A Study of Transmedia Narrative in the Works of A.S. Byatt
With the development of transmedia research, many writers begin to pay attention to the comparison and transformation between literature and other artistic media, and practice it in literary creation. Contemporary English novelist A.S. Byatt is one of the practitioners of transmedia literary creation. Through the use of “ekphrasis”, she skillfully and naturally integrates the art work into the literary creation, making the text have a visual effect. This paper takes A.S. Byatt’s three short stories Christ in the House of Martha and Mary, Art Work and Rose-Colored Teacup as examples to explore the ekphrarstic re-creation of paintings, sculptures and pottery in her works, and then analyzes the deep connotation brought by the ekphrasis between different artistic media to literary texts.
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