{"title":"新月的微笑:在历史的模糊中构建未来的身份(附翻译)","authors":"Günil Özlem Ayaydin-Cebe","doi":"10.1163/15700607-61040001","DOIUrl":null,"url":null,"abstract":"\nThis article analyses identity construction in İstiklal Marşi (“Independence March”), the national anthem of the Republic of Turkey, within the theoretical framework of Eurocentric nation-state rhetoric. It argues that the continuing success of the text, written by Mehmet Akif [Ersoy] in 1921, is independent of the ideological stand of its author, and lies instead in its conveyance of a modern nation-state identity. In order to demonstrate this, the article first depicts the circumstances of the adoption of the national anthem and its immediate reception in Turkey. Afterwards, it examines identity construction in the anthem and reveals that the war against European forces determined the self-perception of the nation by both the negation and mirroring of the other. It concludes that, by foregrounding certain elements such as l’esprit frondeur and faith, and by interpreting the convention of Ottoman Divan poetry, the poet infused the cultural and aesthetic legacy of the past into the future needs of a nation-state.","PeriodicalId":44510,"journal":{"name":"Welt des Islams","volume":" ","pages":""},"PeriodicalIF":0.7000,"publicationDate":"2021-10-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Smile of the Crescent: Constructing a Future Identity Out of Historical Ambiguity in İstiklal Marşi (with Translation)\",\"authors\":\"Günil Özlem Ayaydin-Cebe\",\"doi\":\"10.1163/15700607-61040001\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\nThis article analyses identity construction in İstiklal Marşi (“Independence March”), the national anthem of the Republic of Turkey, within the theoretical framework of Eurocentric nation-state rhetoric. It argues that the continuing success of the text, written by Mehmet Akif [Ersoy] in 1921, is independent of the ideological stand of its author, and lies instead in its conveyance of a modern nation-state identity. In order to demonstrate this, the article first depicts the circumstances of the adoption of the national anthem and its immediate reception in Turkey. Afterwards, it examines identity construction in the anthem and reveals that the war against European forces determined the self-perception of the nation by both the negation and mirroring of the other. It concludes that, by foregrounding certain elements such as l’esprit frondeur and faith, and by interpreting the convention of Ottoman Divan poetry, the poet infused the cultural and aesthetic legacy of the past into the future needs of a nation-state.\",\"PeriodicalId\":44510,\"journal\":{\"name\":\"Welt des Islams\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2021-10-19\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Welt des Islams\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/15700607-61040001\",\"RegionNum\":2,\"RegionCategory\":\"哲学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"RELIGION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Welt des Islams","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/15700607-61040001","RegionNum":2,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"RELIGION","Score":null,"Total":0}
Smile of the Crescent: Constructing a Future Identity Out of Historical Ambiguity in İstiklal Marşi (with Translation)
This article analyses identity construction in İstiklal Marşi (“Independence March”), the national anthem of the Republic of Turkey, within the theoretical framework of Eurocentric nation-state rhetoric. It argues that the continuing success of the text, written by Mehmet Akif [Ersoy] in 1921, is independent of the ideological stand of its author, and lies instead in its conveyance of a modern nation-state identity. In order to demonstrate this, the article first depicts the circumstances of the adoption of the national anthem and its immediate reception in Turkey. Afterwards, it examines identity construction in the anthem and reveals that the war against European forces determined the self-perception of the nation by both the negation and mirroring of the other. It concludes that, by foregrounding certain elements such as l’esprit frondeur and faith, and by interpreting the convention of Ottoman Divan poetry, the poet infused the cultural and aesthetic legacy of the past into the future needs of a nation-state.
期刊介绍:
Die Welt des Islams focuses on the history and culture of the people of Islam from the end of the eighteenth century until present times. Special attention is given to literature from this period. Over the last 40 years, Die Welt des Islams has established itself as a journal unrivalled by any other in its field. Its presence in both the major research libraries of the world and in the private libraries of professors, scholars and students shows this journal to be an easy way of staying on top of your discipline. Boasting a large international circulation, Die Welt des Islams takes care to supply its readers with articles in English, French and German.