布宜诺斯艾利斯蓝鲸礼堂的声学

IF 1.4 Q3 ACOUSTICS
G. Basso
{"title":"布宜诺斯艾利斯蓝鲸礼堂的声学","authors":"G. Basso","doi":"10.1177/1351010X20959261","DOIUrl":null,"url":null,"abstract":"The “Blue Whale” Auditorium in Buenos Aires opened in 2015. Designed to be the headquarters of the National Symphony Orchestra of Argentina, its goal was to become the city’s main space for symphonic music. The architectural program posed several challenges from an acoustic point of view, as 2000 people had to be accommodated in a square space into which none of the usual architectural typologies fit properly. It was decided, therefore, to place in this space an “ad-hoc” hall. The design centered around three main premises: to achieve an enveloping acoustic field, to establish an adequate reverberation decay, and to combine reflective and diffusing surfaces to attain a similar acoustic field through the entire audience area. This work details the design process of the Auditorium, during which the final shape was deduced from the established acoustic premises, and some acoustical measurements made in the finished hall.","PeriodicalId":51841,"journal":{"name":"BUILDING ACOUSTICS","volume":"28 1","pages":"209 - 230"},"PeriodicalIF":1.4000,"publicationDate":"2020-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/1351010X20959261","citationCount":"0","resultStr":"{\"title\":\"Acoustics of the Blue Whale Auditorium in Buenos Aires\",\"authors\":\"G. Basso\",\"doi\":\"10.1177/1351010X20959261\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The “Blue Whale” Auditorium in Buenos Aires opened in 2015. Designed to be the headquarters of the National Symphony Orchestra of Argentina, its goal was to become the city’s main space for symphonic music. The architectural program posed several challenges from an acoustic point of view, as 2000 people had to be accommodated in a square space into which none of the usual architectural typologies fit properly. It was decided, therefore, to place in this space an “ad-hoc” hall. The design centered around three main premises: to achieve an enveloping acoustic field, to establish an adequate reverberation decay, and to combine reflective and diffusing surfaces to attain a similar acoustic field through the entire audience area. This work details the design process of the Auditorium, during which the final shape was deduced from the established acoustic premises, and some acoustical measurements made in the finished hall.\",\"PeriodicalId\":51841,\"journal\":{\"name\":\"BUILDING ACOUSTICS\",\"volume\":\"28 1\",\"pages\":\"209 - 230\"},\"PeriodicalIF\":1.4000,\"publicationDate\":\"2020-09-28\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1177/1351010X20959261\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"BUILDING ACOUSTICS\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1177/1351010X20959261\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"ACOUSTICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"BUILDING ACOUSTICS","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/1351010X20959261","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"ACOUSTICS","Score":null,"Total":0}
引用次数: 0

摘要

布宜诺斯艾利斯的“蓝鲸”礼堂于2015年开业。它被设计成阿根廷国家交响乐团的总部,目标是成为该市交响乐的主要空间。从声学的角度来看,建筑计划带来了一些挑战,因为2000人必须被安置在一个正方形的空间里,而通常的建筑类型都不适合这个空间。因此,决定在这个空间里设立一个“特设”大厅。该设计围绕三个主要前提展开:实现包络声场,建立足够的混响衰减,并将反射和散射表面结合起来,在整个观众区实现类似的声场。这项工作详细介绍了礼堂的设计过程,在此过程中,根据既定的声学前提推导出最终形状,并在完工的大厅中进行了一些声学测量。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Acoustics of the Blue Whale Auditorium in Buenos Aires
The “Blue Whale” Auditorium in Buenos Aires opened in 2015. Designed to be the headquarters of the National Symphony Orchestra of Argentina, its goal was to become the city’s main space for symphonic music. The architectural program posed several challenges from an acoustic point of view, as 2000 people had to be accommodated in a square space into which none of the usual architectural typologies fit properly. It was decided, therefore, to place in this space an “ad-hoc” hall. The design centered around three main premises: to achieve an enveloping acoustic field, to establish an adequate reverberation decay, and to combine reflective and diffusing surfaces to attain a similar acoustic field through the entire audience area. This work details the design process of the Auditorium, during which the final shape was deduced from the established acoustic premises, and some acoustical measurements made in the finished hall.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
BUILDING ACOUSTICS
BUILDING ACOUSTICS ACOUSTICS-
CiteScore
4.10
自引率
11.80%
发文量
22
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信