同意的编排：Clarice Lispector的无知认识论

IF 0.2 4区社会学 0 HUMANITIES, MULTIDISCIPLINARY

POSTMODERN CULTURE Pub Date : 2020-12-29 DOI:10.1353/pmc.2020.0019

Rocío Pichon-Rivière

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引用次数: 2

摘要

摘要：本文认为，在学习法律之后，Clarice Lispector从未放弃对政治理论的投入，并表明她的小说和编年史是她法律哲学的其他方式的延续。利斯佩克特通过分析两种关键的社会实践，发展了一种无知的认识论：“同意的编排”和“精心策划的遗忘”。根据1941年发表在法学院期刊上的一篇文章，本文追溯了利斯佩克特日益复杂的法律概念的发展，并考察了当历史事件迫使她面对故意的无知时，她是如何适应这些概念的，这是不公正社会再生产的普遍可能性条件。

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Choreographies of Consent: Clarice Lispector's Epistemology of Ignorance

Abstract:This essay argues that, after studying law, Clarice Lispector never abandoned her engagement with political theory, and shows that her fiction and chronicles were a continuation of her philosophy of law by other means. Lispector developed an epistemology of ignorance through the analysis of two key social practices: "choreographies of consent" and "orchestrated oblivion." In light of a 1941 article published in a law school journal, the essay traces the development of Lispector's increasingly complex conceptions of law and examines how she adapted them when historical events forced her to confront willful ignorance as a pervasive condition of possibility for the social reproduction of injustice.

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来源期刊

POSTMODERN CULTURE HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： Founded in 1990 as a groundbreaking experiment in scholarly publishing on the Internet, Postmodern Culture has become a leading electronic journal of interdisciplinary thought on contemporary culture. PMC offers a forum for commentary, criticism, and theory on subjects ranging from identity politics to the economics of information.