{"title":"简介:熟悉熟悉或想象小说与想象","authors":"S. Pöhlmann","doi":"10.16995/orbit.8645","DOIUrl":null,"url":null,"abstract":"This essay is the introduction to the special issue of Orbit: A Journal of American Literature on Mark Z. Danielewski's The Familiar. As a starting point for readers, it places the the five novels in the context of a longer literary history of multimodal writing. I argue that this alternative history undermines the realist monomodal paradigm that still persists in literature and literary criticism and challenges their normativity that has, for example, mainly excluded multimodal forms such as children's literature or comics. At the same time, I identify a corresponding narrative bias in considerations to multimodal literature, as I connect The Familiar to poetic models of meaning-making. I also argue that the imagination is a central concern of Danielewski's pentalogy, connecting plot elements such as VEM to readerly engagement and empathy. Finally, the introduction includes summaries of all the contributions to this special issue as well as a link to a bibliography of Danielewski criticism.","PeriodicalId":37450,"journal":{"name":"Orbit (Cambridge)","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Introduction: Becoming Familiar with The Familiar, or, The Imaginary Novel and the Imagination\",\"authors\":\"S. Pöhlmann\",\"doi\":\"10.16995/orbit.8645\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This essay is the introduction to the special issue of Orbit: A Journal of American Literature on Mark Z. Danielewski's The Familiar. As a starting point for readers, it places the the five novels in the context of a longer literary history of multimodal writing. I argue that this alternative history undermines the realist monomodal paradigm that still persists in literature and literary criticism and challenges their normativity that has, for example, mainly excluded multimodal forms such as children's literature or comics. At the same time, I identify a corresponding narrative bias in considerations to multimodal literature, as I connect The Familiar to poetic models of meaning-making. I also argue that the imagination is a central concern of Danielewski's pentalogy, connecting plot elements such as VEM to readerly engagement and empathy. Finally, the introduction includes summaries of all the contributions to this special issue as well as a link to a bibliography of Danielewski criticism.\",\"PeriodicalId\":37450,\"journal\":{\"name\":\"Orbit (Cambridge)\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-02-28\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Orbit (Cambridge)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.16995/orbit.8645\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Orbit (Cambridge)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.16995/orbit.8645","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
Introduction: Becoming Familiar with The Familiar, or, The Imaginary Novel and the Imagination
This essay is the introduction to the special issue of Orbit: A Journal of American Literature on Mark Z. Danielewski's The Familiar. As a starting point for readers, it places the the five novels in the context of a longer literary history of multimodal writing. I argue that this alternative history undermines the realist monomodal paradigm that still persists in literature and literary criticism and challenges their normativity that has, for example, mainly excluded multimodal forms such as children's literature or comics. At the same time, I identify a corresponding narrative bias in considerations to multimodal literature, as I connect The Familiar to poetic models of meaning-making. I also argue that the imagination is a central concern of Danielewski's pentalogy, connecting plot elements such as VEM to readerly engagement and empathy. Finally, the introduction includes summaries of all the contributions to this special issue as well as a link to a bibliography of Danielewski criticism.
期刊介绍:
Orbit: Writing Around Pynchon is a journal that publishes high quality, rigorously reviewed and innovative scholarly material on the works of Thomas Pynchon, related authors and adjacent fields in 20th- and 21st-century literature. We publish special and general issues in a rolling format, which brings together a traditional journal article style with the latest publishing technology to ensure faster, yet prestigious, publication for authors.