黑人生活的视觉频率

IF 1.2 Q2 CULTURAL STUDIES
Tina M. Campt
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引用次数: 29

摘要

我们如何处理一个充斥着大量暴力、反黑和过早死亡图像的当代黑人视觉档案?本文探讨了电影制作人和摄影师亚瑟·贾法(Arthur Jafa)作品中黑人不稳定的视觉表现所需要的劳动。黑人不稳定的劳动——具体地说,是培养、维持或阐明我们与黑人不稳定的关系所需要的工作——是将自己定位在接近或不舒服的地方所需要的努力,对一些人来说,是与黑人不稳定的潜在同谋。这篇文章在一种被定义为静止运动图像的黑人视觉风格中遇到了情感上的拒绝。静止的动态图像徘徊在静止和动态图像之间,需要情感的劳动来感受它们。文章最后扩展了对Jafa静止图像的讨论,更广泛地阐述了作者的“hapticity”理论。“hapticity”一词将跨越差异和痛苦的感受作为一种努力的实践,努力保持与他人的关系或接触或联系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Visual Frequency of Black Life
How do we engage a contemporary visual archive of blackness that is saturated by the proliferation and mass circulation of images of violence, antiblackness, and premature death? This article explores the labor required by visual enactments of black precarity in the work of filmmaker and cinematographer Arthur Jafa. The labor of black precarity—specifically, the work required to cultivate, maintain, or articulate our relationship to black precarity—is the effort required to position oneself in proximity to, or in a place of discomfort and, for some, potential complicity with, black precarity. The article stages an encounter with the affective registers of refusal enacted in a genre of black visuality defined as still-moving-images. Still-moving-images hover between still and moving images and require the affective labor of feeling with or through them. The article concludes by expanding the discussion of Jafa’s still-moving-images into a broader enunciation of the author’s theory of hapticity, a term that articulates the labor of feeling across difference and suffering as an effortful practice of exertion and struggle to remain in relation to or in contact or connection with another.
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来源期刊
Social Text
Social Text CULTURAL STUDIES-
CiteScore
5.10
自引率
3.00%
发文量
19
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