识别与报告文学

Q4 Arts and Humanities
Maurizio Calvesi, Madeline Robinson
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引用次数: 0

摘要

摘要在本文中,Maurizio Calvesi,一位20世纪60年代为意大利观众解读当代美国波普艺术的领军人物,挑战了欧洲人对波普艺术的普遍解读,将其视为对美国资本主义社会的负面批判。他认为波普艺术并不代表“真实”的现实,而是模仿了一种新的图像制作过程。出于这个原因,他特别提到了交易心理学来解释贾斯珀·约翰斯和罗伊·利希滕斯坦的作品,并提出了一种积极的替代方案,以取代通常对波普艺术消费主义图像的关注。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Recognition and Reportage
Abstract In this text, Maurizio Calvesi, a leading interpreter in the 1960s of contemporary American Pop art for the Italian audience, challenges the common European reading of Pop art as a negative critique of US capitalist society. He argues that Pop art does not represent a “true” reality, but rather mimics a new process of image production. For this reason, he refers particularly to transactional psychology in order to explain the works of Jasper Johns and Roy Lichtenstein, and proposes a positive alternative to the usual focus on the consumerist iconography of Pop art.
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来源期刊
Art in Translation
Art in Translation Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.20
自引率
0.00%
发文量
16
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