第一次世界大战至“奋进号”时期《Domenica》和《Passerotto》的意大利读者

IF 0.2 0 LITERATURE
S. Fava
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引用次数: 2

摘要

20世纪初的儿童杂志描绘了儿童文学发展的基本步骤,包括文学作品本身,以及年轻读者被教导阅读的方式。本文探讨了《多梅尼察报》周刊和《Passeroto报》月刊的文学文本和实际读者的观点,并参考了许多杂志订户的思想和梦想所特有的干预主义和非正统主义主题。直到第一次世界大战,领土收复地区的统一都是以荒诞幽默的叙述形式出现的,但随着Fiume的努力,领土收复主义达到了顶峰。这个长期以来的战前梦想表达了整整一代年轻人的叛逆,他们从小就渴望看到《复活曲》的史诗最终安息。作为年轻人,他们相信自己可以将这一结果传达给这两本杂志的新一代年轻读者。对这两本杂志的分析使我们能够重建塑造儿童读者智力成长的连续性和变化,并预测他们成年后会做出的选择,其中一些会产生戏剧性的后果。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Italian Readers of Il Giornalino della Domenica and Il Passerotto between the Great War and the Fiume Endeavour
Early 20th-century children’s magazines chart fundamental steps in the development of children’s literature, both in literary production itself, and the ways in which young readers were taught to read. This paper explores the points of view of the literary text and of actual readers in the weekly Il Giornalino della Domenica and the monthly Il Passerotto, with reference to the topics of interventionism and irredentism that characterised the thoughts and dreams of many subscribers to the magazines. Until the First World War, the unification of the irredentist regions took the shape of fantastic and humorous accounts, but the apex of irredentism was reached with the Fiume endeavour. This long-held pre-war dream gave voice to the rebelliousness of a whole generation of young people who had grown up yearning to see the epic of the Risorgimento finally laid to rest. As young adults, they were convinced that they could convey the outcome of this to the two magazines’ new generation of young readers. Analysis of the two magazines enables us to reconstruct the continuities and changes that shaped the intellectual growth of child readers and anticipate the choices they would make as adults, some of which would have dramatic consequences.
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来源期刊
Libri & Liberi
Libri & Liberi LITERATURE-
CiteScore
0.10
自引率
0.00%
发文量
4
期刊介绍: Libri & Liberi publishes peer-reviewed academic papers on various topics in the field of children’s literature and young adult literature and on related topics, on their wider cultural contexts, and on their intercultural contacts in the fields of literature and the media. The journal particularly appreciates interdisciplinary approaches and intermediality.
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