他是美国卫理公会教徒

Q1 Arts and Humanities
Christian Alvarado
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引用次数: 0

摘要

摘要在肯尼亚紧急状态期间(1952–1960),一群反殖民势力对英国殖民机构及其盟友发动了战争。他们的恶名可以用一个神秘的短语来体现:“茂茂”。通过考虑当代和当代框架的特征,本文认为茂茂本身是一种历史方法,而不仅仅是一种受历史学家分析框架约束的现象。毛的神话维度——甚至在其最早的正式研究中也得到了承认——很少以任何持续的方式来关注它对历史方法论的影响。然而,它作为一个能指集存在于巨大的话语网络和信息系统中,人们以各种方式与之互动。更具体地说,对毛的理解和辩论通过它们在世界地理不同地区的(反)叛乱、政治和流行文化等领域的表达来推动人类行动。以这种方式处理毛等“事件”,揭示了这些话语网的布局,以及它们是如何围绕帝国资本流动、反殖民抵抗和专业网络形成的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Mau Mau as Method
Abstract During the period of the Kenya Emergency (1952–1960), an assemblage of anticolonial forces waged war against the British colonial apparatus and its allies. Their notoriety would be crystallized in a single, enigmatic phrase: “Mau Mau.” Through considering the character of both contemporary and current framings, this article contends that Mau Mau exists as a historical method in itself, rather than simply as a phenomenon subjected to the analytical frameworks of historians. Mau Mau’s mythological dimension—something acknowledged in even its earliest formal studies—has rarely been focused upon in any sustained way that centers its implications for historical methodology. Yet it existed as a signifier set within enormous discursive webs and systems of information that people interfaced with in myriad ways. More concretely, understandings of and debates about Mau Mau drove human action through their articulation in realms such as (counter)insurgency, politics, and popular culture in geographically-disparate regions of the world. Approaching “events” such as Mau Mau in this fashion reveals the layout of these discursive webs and how they formed around flows of imperial capital, anticolonial resistance, and professional networks.
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来源期刊
History in Africa
History in Africa Arts and Humanities-History
CiteScore
0.60
自引率
0.00%
发文量
15
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