{"title":"20世纪80年代的首次运营辛迪加和Unwired Networks:维亚康姆的Superboy和布埃纳维斯塔电视台的DuckTales","authors":"M. J. Clarke","doi":"10.1177/15274764221087216","DOIUrl":null,"url":null,"abstract":"This article historically examines the boom in US first-run syndication during the 1980s. At this time, Hollywood-based major distributors eagerly entered this market, thanks to regulatory and industrial changes, in an effort to create competing unwired television networks. The article presents a contextual history to describe these changes and uses two sustained case studies—Viacom’s Superboy and Buena Vista TV’s DuckTales—to more closely examine these syndicators. Through these case studies, the article demonstrates the shared industrial strategies of these distributors in exploiting pre-sold brands, globalized labor, and package deals for programing.","PeriodicalId":51551,"journal":{"name":"Television & New Media","volume":"24 1","pages":"221 - 241"},"PeriodicalIF":2.4000,"publicationDate":"2022-05-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"First-Run Syndication and Unwired Networks in the 1980s: Viacom’s Superboy and Buena Vista TV’s DuckTales\",\"authors\":\"M. J. Clarke\",\"doi\":\"10.1177/15274764221087216\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article historically examines the boom in US first-run syndication during the 1980s. At this time, Hollywood-based major distributors eagerly entered this market, thanks to regulatory and industrial changes, in an effort to create competing unwired television networks. The article presents a contextual history to describe these changes and uses two sustained case studies—Viacom’s Superboy and Buena Vista TV’s DuckTales—to more closely examine these syndicators. Through these case studies, the article demonstrates the shared industrial strategies of these distributors in exploiting pre-sold brands, globalized labor, and package deals for programing.\",\"PeriodicalId\":51551,\"journal\":{\"name\":\"Television & New Media\",\"volume\":\"24 1\",\"pages\":\"221 - 241\"},\"PeriodicalIF\":2.4000,\"publicationDate\":\"2022-05-19\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Television & New Media\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.1177/15274764221087216\",\"RegionNum\":2,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"COMMUNICATION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Television & New Media","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1177/15274764221087216","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"COMMUNICATION","Score":null,"Total":0}
First-Run Syndication and Unwired Networks in the 1980s: Viacom’s Superboy and Buena Vista TV’s DuckTales
This article historically examines the boom in US first-run syndication during the 1980s. At this time, Hollywood-based major distributors eagerly entered this market, thanks to regulatory and industrial changes, in an effort to create competing unwired television networks. The article presents a contextual history to describe these changes and uses two sustained case studies—Viacom’s Superboy and Buena Vista TV’s DuckTales—to more closely examine these syndicators. Through these case studies, the article demonstrates the shared industrial strategies of these distributors in exploiting pre-sold brands, globalized labor, and package deals for programing.
期刊介绍:
Television & New Media explores the field of television studies, focusing on audience ethnography, public policy, political economy, cultural history, and textual analysis. Special topics covered include digitalization, active audiences, cable and satellite issues, pedagogy, interdisciplinary matters, and globalization, as well as race, gender, and class issues.