{"title":"Pierre Bersuire的Ovidius Moralizatus中的Esculape人物","authors":"M. T. Kretschmer","doi":"10.1080/00397679.2023.2172834","DOIUrl":null,"url":null,"abstract":"Pierre Bersuire’s Ovidius moralizatus, one of the major medieval commentaries on Ovid’s Metamorphoses, exists in two principal versions, Avignon (A) and Paris (P). This article examines certain textual developments and additions related to the myth of Aesculapius (Met. 2.598–632 + 15.622–744) that distinguish the Parisian version from the Avignon version of the Ovidius moralizatus.","PeriodicalId":41733,"journal":{"name":"Symbolae Osloenses","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"La figure d’Esculape dans l’Ovidius moralizatus de Pierre Bersuire\",\"authors\":\"M. T. Kretschmer\",\"doi\":\"10.1080/00397679.2023.2172834\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Pierre Bersuire’s Ovidius moralizatus, one of the major medieval commentaries on Ovid’s Metamorphoses, exists in two principal versions, Avignon (A) and Paris (P). This article examines certain textual developments and additions related to the myth of Aesculapius (Met. 2.598–632 + 15.622–744) that distinguish the Parisian version from the Avignon version of the Ovidius moralizatus.\",\"PeriodicalId\":41733,\"journal\":{\"name\":\"Symbolae Osloenses\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-12-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Symbolae Osloenses\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/00397679.2023.2172834\",\"RegionNum\":3,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"CLASSICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Symbolae Osloenses","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/00397679.2023.2172834","RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"CLASSICS","Score":null,"Total":0}
La figure d’Esculape dans l’Ovidius moralizatus de Pierre Bersuire
Pierre Bersuire’s Ovidius moralizatus, one of the major medieval commentaries on Ovid’s Metamorphoses, exists in two principal versions, Avignon (A) and Paris (P). This article examines certain textual developments and additions related to the myth of Aesculapius (Met. 2.598–632 + 15.622–744) that distinguish the Parisian version from the Avignon version of the Ovidius moralizatus.
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