生活和舞蹈的多孔编舞

IF 0.2 0 DANCE
Dani Abulhawa
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引用次数: 0

摘要

这篇社论讨论了表演和舞蹈艺术家和理论家如何表达和体现跨地域、文化背景和物种的同居和合作。这些当前的实践和关注领域内的舞蹈,身体的做法和表演是在这里的背景下,与当前的全球,社会和政治背景;感染COVID-19以及气候危机当前或即将产生影响的社会。这一讨论为介绍本期《编舞实践》的特色贡献提供了基础。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Porous choreographies of living and dancing
This editorial discusses how performance and dance artists and theorists articulate and embody cohabitation and collaboration across geographies, cultural contexts and species. These current practices and concerns within the fields of dance, somatic practice and performance are contextualized here in relation to the current global, social and political context; societies living with COVID-19 and with the current or impending effects of the climate crisis. This discussion provides the basis for an introduction to the contributions featured in this edition of Choreographic Practices.
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来源期刊
CiteScore
0.10
自引率
0.00%
发文量
9
期刊介绍: Choreographic Practices operates from the principle that dance embodies ideas and can be productively enlivened when considered as a mode of critical and creative discourse. This double-blind peer-reviewed journal provides a platform for sharing choreographic practices, critical inquiry and debate. Placing an emphasis on processes and practices over products, this journal seeks to engender dynamic relationships between theory and practice, choreographer and scholar, so that these distinctions may be shifted and traversed. Choreographic Practices will encompass a wide range of methodologies and critical perspectives such that interdisciplinary processes in performance can be understood as they intersect with other territories in the arts and beyond (for example, cultural studies, psychology, phenomenology, geography, philosophy and economics). In this way, the journal will open up the nature and scope of dance practice as research and draw together diverse bodies of knowledge and ways of knowing to illuminate an emerging and vibrant research area.
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