{"title":"生活和舞蹈的多孔编舞","authors":"Dani Abulhawa","doi":"10.1386/chor_00038_2","DOIUrl":null,"url":null,"abstract":"This editorial discusses how performance and dance artists and theorists articulate and embody cohabitation and collaboration across geographies, cultural contexts and species. These current practices and concerns within the fields of dance, somatic practice and performance are contextualized\n here in relation to the current global, social and political context; societies living with COVID-19 and with the current or impending effects of the climate crisis. This discussion provides the basis for an introduction to the contributions featured in this edition of Choreographic Practices.","PeriodicalId":40658,"journal":{"name":"Choreographic Practices","volume":" ","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Porous choreographies of living and dancing\",\"authors\":\"Dani Abulhawa\",\"doi\":\"10.1386/chor_00038_2\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This editorial discusses how performance and dance artists and theorists articulate and embody cohabitation and collaboration across geographies, cultural contexts and species. These current practices and concerns within the fields of dance, somatic practice and performance are contextualized\\n here in relation to the current global, social and political context; societies living with COVID-19 and with the current or impending effects of the climate crisis. This discussion provides the basis for an introduction to the contributions featured in this edition of Choreographic Practices.\",\"PeriodicalId\":40658,\"journal\":{\"name\":\"Choreographic Practices\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-07-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Choreographic Practices\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/chor_00038_2\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"DANCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Choreographic Practices","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/chor_00038_2","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"DANCE","Score":null,"Total":0}
This editorial discusses how performance and dance artists and theorists articulate and embody cohabitation and collaboration across geographies, cultural contexts and species. These current practices and concerns within the fields of dance, somatic practice and performance are contextualized
here in relation to the current global, social and political context; societies living with COVID-19 and with the current or impending effects of the climate crisis. This discussion provides the basis for an introduction to the contributions featured in this edition of Choreographic Practices.
期刊介绍:
Choreographic Practices operates from the principle that dance embodies ideas and can be productively enlivened when considered as a mode of critical and creative discourse. This double-blind peer-reviewed journal provides a platform for sharing choreographic practices, critical inquiry and debate. Placing an emphasis on processes and practices over products, this journal seeks to engender dynamic relationships between theory and practice, choreographer and scholar, so that these distinctions may be shifted and traversed. Choreographic Practices will encompass a wide range of methodologies and critical perspectives such that interdisciplinary processes in performance can be understood as they intersect with other territories in the arts and beyond (for example, cultural studies, psychology, phenomenology, geography, philosophy and economics). In this way, the journal will open up the nature and scope of dance practice as research and draw together diverse bodies of knowledge and ways of knowing to illuminate an emerging and vibrant research area.