基于音调音乐生成理论的旋律变形实现

IF 1.1 4区 计算机科学 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS
M. Hamanaka, K. Hirata, S. Tojo
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引用次数: 3

摘要

本文提出了一种新的生成旋律的变形方法,给出了由音调音乐生成理论(GTTM)获得的时间跨度树表示的两个旋律。在本文中,我们基于时间跨度树和两个结构之间的距离定义了一个特征结构。接下来,我们在这些结构之间构造了一个包含关系的格,并定义了三个代数运算:归约、满足和连接。首先,我们在纯代数域中进行这些运算,一个新的旋律作为格中的插值;然后,我们将获得的树渲染为音乐旋律,在候选分支之间分配优先级顺序。我们证实,我们的变形算法生成了质量令人满意的新变体。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Implementation of melodic morphing based on generative theory of tonal music
This paper proposes a new morphing method to generate a melody, given two melodies represented by time-span trees obtained from the generative theory of tonal music (GTTM). In this paper, we define a feature structure based on a time-span tree and the distance between two structures. Next, we construct a lattice of subsumption relations among these structures and define three algebraic operations: reduction, meet, and join. First, we conduct these operations in the pure algebraic domain and a new melody is as an interpolation in the lattice; thereafter, we render the obtained tree into a music melody, assigning a priority order among candidate branches. We confirmed that our morphing algorithm generated new variations with satisfactory quality.
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来源期刊
Journal of New Music Research
Journal of New Music Research 工程技术-计算机:跨学科应用
CiteScore
3.20
自引率
0.00%
发文量
5
审稿时长
>12 weeks
期刊介绍: The Journal of New Music Research (JNMR) publishes material which increases our understanding of music and musical processes by systematic, scientific and technological means. Research published in the journal is innovative, empirically grounded and often, but not exclusively, uses quantitative methods. Articles are both musically relevant and scientifically rigorous, giving full technical details. No bounds are placed on the music or musical behaviours at issue: popular music, music of diverse cultures and the canon of western classical music are all within the Journal’s scope. Articles deal with theory, analysis, composition, performance, uses of music, instruments and other music technologies. The Journal was founded in 1972 with the original title Interface to reflect its interdisciplinary nature, drawing on musicology (including music theory), computer science, psychology, acoustics, philosophy, and other disciplines.
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