被扭曲的身体:当代希腊诗歌中性别化的侵犯人权行为

IF 0.3 Q3 LAW
Natasha Remoundou
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引用次数: 2

摘要

摘要本文调查了当代希腊诗歌揭露希腊社会侵犯人权行为的方式,以推动法律和社会政策改革,保护性别认同、言论和自由,并追究政府和机构的执法责任。在希腊文化和社会中女权主义、反法西斯和酷儿权利激进主义的背景下,本分析讨论了揭露杀害女性和酷儿暴力的诗歌如何挑战希腊法律的规定和人权的普遍性。诗歌源于后人类女权主义和酷儿对占主导地位的种族父权结构的批评,成为集体哀悼、公众纪念和为仇恨犯罪、恐同、种族主义和厌女症受害者伸张正义的媒介。在过去的十年里,这些干预措施加强了反诗歌档案的形成,以应对希腊针对LGBTQ社区、妇女和移民的暴力和仇恨。为了让Zak Kostopoulos/Zackie Oh、Eleni Topaloudi和Vagelis Giakoumakis等基于性别的暴力受害者的生与死清晰可见,本文还试图研究如何将诗歌的视野重新表述为一种社会可持续性,以质疑生物政治生存的危机。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Wronged bodies: gendering human rights abuses in contemporary Greek poetry
ABSTRACT This article surveys the ways in which contemporary Greek poetry unveils human rights abuses in Greek society in order to push for law and social policy reforms that protect gender identity, expression, and freedom as well as holding governments and institutions accountable for their enforcement. In the context of feminist, anti-fascist, and queer rights activism in Greek culture and society, this analysis discusses how poetry that exposes femicide and queer violence challenges the provisions of both Greek law and the universality of human rights. Stemming from post-human feminist and queer critiques of dominant ethno-patriarchal structures, poetry becomes a medium of collective mourning, public commemoration, and justice-seeking for victims of hate crime, homophobia, racism, and misogyny. For the past decade, such interventions have reinforced the formation of a counter-archive of poetry responding to the aftermath of violence and hatred levelled at LGBTQ communities, women, and immigrants in Greece. Aiming at rendering visible the lives and deaths of victims of gender-based violence such as Zak Kostopoulos/ Zackie Oh, Eleni Topaloudi, and Vaggelis Giakoumakis, this article seeks also to examine how the horizon of poetry can be reformulated as one of social sustainability that interrogates the crisis of biopolitical survival.
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来源期刊
CiteScore
1.00
自引率
0.00%
发文量
21
期刊介绍: Law and Humanities is a peer-reviewed journal, providing a forum for scholarly discourse within the arts and humanities around the subject of law. For this purpose, the arts and humanities disciplines are taken to include literature, history (including history of art), philosophy, theology, classics and the whole spectrum of performance and representational arts. The remit of the journal does not extend to consideration of the laws that regulate practical aspects of the arts and humanities (such as the law of intellectual property). Law and Humanities is principally concerned to engage with those aspects of human experience which are not empirically quantifiable or scientifically predictable. Each issue will carry four or five major articles of between 8,000 and 12,000 words each. The journal will also carry shorter papers (up to 4,000 words) sharing good practice in law and humanities education; reports of conferences; reviews of books, exhibitions, plays, concerts and other artistic publications.
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