{"title":"在宇宙的阴影中","authors":"T. Correia","doi":"10.1080/0969725X.2023.2192066","DOIUrl":null,"url":null,"abstract":"Abstract Clarice Lispector’s texts are a peculiar combination of socio-political analysis and cosmological excess. Commentators on her works have explored either of these two dimensions but have not yet brought them into a singular dialogue. I argue that Lispector insists upon an ethical responsibility in her refusal to disregard the microcosm of a “marginal” life even within a cosmos of her own creation. For this reason, her critique is inextricable from these excesses. The displacement of narrative authority in a method of literary production that refuses conquest opens upon an underlying, and not yet “pre-coded,” primordial cosmology characterized by night, incompleteness, and (sensory) impression, rather than self-assertive knowledge. I focus on The Hour of the Star and The Besieged City, two works that illustrate this dynamic, to capture how the interstices of social marginalization is the site from which a cosmo-political vision takes shape. Lispector’s works do not promote supra-territorial community over a privileged nationalist singularity, but rather the vertiginous excess of open possibility.","PeriodicalId":45929,"journal":{"name":"ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2023-03-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"In the Shadows of the Cosmos\",\"authors\":\"T. Correia\",\"doi\":\"10.1080/0969725X.2023.2192066\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract Clarice Lispector’s texts are a peculiar combination of socio-political analysis and cosmological excess. Commentators on her works have explored either of these two dimensions but have not yet brought them into a singular dialogue. I argue that Lispector insists upon an ethical responsibility in her refusal to disregard the microcosm of a “marginal” life even within a cosmos of her own creation. For this reason, her critique is inextricable from these excesses. The displacement of narrative authority in a method of literary production that refuses conquest opens upon an underlying, and not yet “pre-coded,” primordial cosmology characterized by night, incompleteness, and (sensory) impression, rather than self-assertive knowledge. I focus on The Hour of the Star and The Besieged City, two works that illustrate this dynamic, to capture how the interstices of social marginalization is the site from which a cosmo-political vision takes shape. Lispector’s works do not promote supra-territorial community over a privileged nationalist singularity, but rather the vertiginous excess of open possibility.\",\"PeriodicalId\":45929,\"journal\":{\"name\":\"ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2023-03-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/0969725X.2023.2192066\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/0969725X.2023.2192066","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Abstract Clarice Lispector’s texts are a peculiar combination of socio-political analysis and cosmological excess. Commentators on her works have explored either of these two dimensions but have not yet brought them into a singular dialogue. I argue that Lispector insists upon an ethical responsibility in her refusal to disregard the microcosm of a “marginal” life even within a cosmos of her own creation. For this reason, her critique is inextricable from these excesses. The displacement of narrative authority in a method of literary production that refuses conquest opens upon an underlying, and not yet “pre-coded,” primordial cosmology characterized by night, incompleteness, and (sensory) impression, rather than self-assertive knowledge. I focus on The Hour of the Star and The Besieged City, two works that illustrate this dynamic, to capture how the interstices of social marginalization is the site from which a cosmo-political vision takes shape. Lispector’s works do not promote supra-territorial community over a privileged nationalist singularity, but rather the vertiginous excess of open possibility.
期刊介绍:
Angelaki: journal of the theoretical humanities was established in September 1993 to provide an international forum for vanguard work in the theoretical humanities. In itself a contentious category, "theoretical humanities" represents the productive nexus of work in the disciplinary fields of literary criticism and theory, philosophy, and cultural studies. The journal is dedicated to the refreshing of intellectual coordinates, and to the challenging and vivifying process of re-thinking. Angelaki: journal of the theoretical humanities encourages a critical engagement with theory in terms of disciplinary development and intellectual and political usefulness, the inquiry into and articulation of culture.