{"title":"游中井:乐器的提醒","authors":"Ezra J. Teboul","doi":"10.1162/comj_r_00597","DOIUrl":null,"url":null,"abstract":"You Nakai’s book on David Tudor is a masterful investigation of archival and published materials left behind by the composer and his many collaborators, students, and biographers. Rather than clearing out a field of study that had until now been difficult to address, Nakai shows us his path through the dense forest of notes, ad hoc systems, and tricksterlike aphorisms that Tudor left behind as his life’s work. As a performer and composer infamous for open-ended and short remarks, instructions, and comments (contrasting with the gregariousness of John Cage), he certainly did leave plenty of materials; these form, as Nakai so convincingly demonstrates, puzzles of a scale and variety that certainly rival (if not dwarf) the puzzles of new music Tudor himself solved in his early career as a performer of the western avant garde’s most challenging pieces.","PeriodicalId":50639,"journal":{"name":"Computer Music Journal","volume":"45 1","pages":"85-90"},"PeriodicalIF":0.4000,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"You Nakai: Reminded by the Instruments\",\"authors\":\"Ezra J. Teboul\",\"doi\":\"10.1162/comj_r_00597\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"You Nakai’s book on David Tudor is a masterful investigation of archival and published materials left behind by the composer and his many collaborators, students, and biographers. Rather than clearing out a field of study that had until now been difficult to address, Nakai shows us his path through the dense forest of notes, ad hoc systems, and tricksterlike aphorisms that Tudor left behind as his life’s work. As a performer and composer infamous for open-ended and short remarks, instructions, and comments (contrasting with the gregariousness of John Cage), he certainly did leave plenty of materials; these form, as Nakai so convincingly demonstrates, puzzles of a scale and variety that certainly rival (if not dwarf) the puzzles of new music Tudor himself solved in his early career as a performer of the western avant garde’s most challenging pieces.\",\"PeriodicalId\":50639,\"journal\":{\"name\":\"Computer Music Journal\",\"volume\":\"45 1\",\"pages\":\"85-90\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2021-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Computer Music Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://ieeexplore.ieee.org/document/9808216/\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Computer Music Journal","FirstCategoryId":"1085","ListUrlMain":"https://ieeexplore.ieee.org/document/9808216/","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS","Score":null,"Total":0}
You Nakai’s book on David Tudor is a masterful investigation of archival and published materials left behind by the composer and his many collaborators, students, and biographers. Rather than clearing out a field of study that had until now been difficult to address, Nakai shows us his path through the dense forest of notes, ad hoc systems, and tricksterlike aphorisms that Tudor left behind as his life’s work. As a performer and composer infamous for open-ended and short remarks, instructions, and comments (contrasting with the gregariousness of John Cage), he certainly did leave plenty of materials; these form, as Nakai so convincingly demonstrates, puzzles of a scale and variety that certainly rival (if not dwarf) the puzzles of new music Tudor himself solved in his early career as a performer of the western avant garde’s most challenging pieces.
期刊介绍:
Computer Music Journal is published quarterly with an annual sound and video anthology containing curated music¹. For four decades, it has been the leading publication about computer music, concentrating fully on digital sound technology and all musical applications of computers. This makes it an essential resource for musicians, composers, scientists, engineers, computer enthusiasts, and anyone exploring the wonders of computer-generated sound.
Edited by experts in the field and featuring an international advisory board of eminent computer musicians, issues typically include:
In-depth articles on cutting-edge research and developments in technology, methods, and aesthetics of computer music
Reports on products of interest, such as new audio and MIDI software and hardware
Interviews with leading composers of computer music
Announcements of and reports on conferences and courses in the United States and abroad
Publication, event, and recording reviews
Tutorials, letters, and editorials
Numerous graphics, photographs, scores, algorithms, and other illustrations.