隐居的物质性:死海悬崖上一座装饰华丽的修道院

IF 0.3 3区 哲学 0 RELIGION
Y. Tchekhanovets, Roi Porat, Temo Jojua, U. Davidovich
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引用次数: 0

摘要

在沙漠中进行四旬斋静修的修道院实践在五世纪早期的古巴勒斯坦得到了证实。然而,在沙漠修道主义的大量考古资料中,可以肯定地确定为大斋期修道院的遗址以前是未经证实的。在最近对死海悬崖的调查中发现的隐居处位于一个狭窄的天然岩架上的岩石掩体中,这是死海西岸高耸的高悬崖的一部分。恶劣、干旱的环境和附近缺乏多年生水源使该基地主要在春季成为一个合适的住所。庇护所的墙壁上覆盖着两层石膏,上面有两种不同装饰方案的残余,用红色绘画、重复的圆形奖章和盲拱廊装饰着牢房。这两个阶段的装饰都表现出最初的衬里,可能是为了准备较长的文字。这个与世隔绝的隐居处的精致装饰,不是为了给游客留下深刻印象,而是为了刺激远离外界干扰的孤独精神工作,提供了一个特殊的机会来讨论巴勒斯坦修道主义禁欲实践中景观,图像和书面文字之间的相互作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Materiality of Seclusion: A Decorated Monastic Hermitage in the Dead Sea Escarpment
Abstract The monastic practice of Lenten retreats in the desert is attested in ancient Palestine by the early fifth century. However, within the large archaeological corpus of desert monasticism, sites that can be positively identified as Lenten hermitages were previously unattested. The hermitage discovered during the recent survey of the Dead Sea Escarpment is situated in a rock shelter in a narrow natural ledge, part of the high cliff towering the western shore of the Dead Sea. The harsh, arid environment and lack of perennial water sources nearby make the site a suitable abode mainly during the spring season. The walls of the shelter are covered by two layers of plaster bearing the remains of two different decorative programs, adorning the cell with red paintings and repetitive round medallions and blind arcades. Both phases of decoration exhibit initial lining, probably in preparation for relatively long texts. The sophisticated decoration of this isolated hermitage, which was not meant to impress visitors but rather to stimulate spiritual work in solitude far from the distractions of the outside world, provides an exceptional opportunity to discuss the interaction between the landscape, the image, and the written word in the ascetic practices of Palestinian monasticism.
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来源期刊
Material Religion
Material Religion RELIGION-
CiteScore
1.00
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发文量
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