贝多芬第九交响曲谐谑曲中的深超低音

IF 1.6 1区艺术学 0 MUSIC

MUSIC THEORY SPECTRUM Pub Date : 2023-07-20 DOI:10.1093/mts/mtad006

Richard Cohn

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引用次数: 0

摘要

本文重新解释了我1992年对路德维希·范·贝多芬第九交响曲的谐调的分析，使用了最近引入的表现模式:滑雪山图、滑雪路径网络和公制立方体。它提供了一个关于三种度量表现模式的教程，同时使用这些模式来揭示谐调的度量形式的不同方面。它提供的证据支持慢脉冲和深超度计可以“存在”的命题，具有美学相关性，并具有分析价值。

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Graphing Deep Hypermeter in the Scherzo Movement of Beethoven’s Ninth Symphony

This paper reinterprets my 1992 analysis of the scherzo of Ludwig van Beethoven’s Ninth Symphony using more recently introduced modes of representation: ski-hill graphs, ski-path networks, and metric cubes. It provides a tutorial on the three metric modes of representation, while using those modes to reveal different aspects of the scherzo’s metric form. It presents evidence in support of the proposition that slow pulses and deep hypermeter can “exist,” be aesthetically relevant, and have analytical value.

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来源期刊

MUSIC THEORY SPECTRUM MUSIC-

CiteScore

2.30

自引率

20.00%

发文量

期刊介绍： A leading journal in the field and an official publication of the Society for Music Theory, Music Theory Spectrum features articles on a wide range of topics in music theory and analysis, including aesthetics, critical theory and hermeneutics, history of theory, post-tonal theory, linear analysis, rhythm, music cognition, and the analysis of popular musics. The journal welcomes interdisciplinary articles revealing intersections with topics in other fields such as ethnomusicology, mathematics, musicology, philosophy, psychology, and performance. For further information about Music Theory Spectrum, please visit the Society for Music Theory homepage.