{"title":"奥斯卡·王尔德去看电影","authors":"Yuri Barbosa Resende","doi":"10.26512/EMTEMPOS.V1I37.33929","DOIUrl":null,"url":null,"abstract":"The present article aims to discuss, based on reflections on History, Memory and Cinema, the framing of Oscar Wilde's image made by two contemporary but different movies: the biopic 'Wilde' (1997) and the musical drama 'Velvet Goldmine' (1998). After discussing the popularity of biographical pictures and the role that can be assumed by an historian when analyzing this type of audiovisual production, considering the elements intrinsic to the cinematographic language, we wish to answer the following question: when compared to the musical drama released in 1998, was the biopic ‘Wilde' successful in the attempt to revisit Wilde's memory and reflect on the importance of this writer in contemporaneity?","PeriodicalId":30228,"journal":{"name":"Em Tempo de Historias","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2020-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Oscar Wilde Vai Ao Cinema\",\"authors\":\"Yuri Barbosa Resende\",\"doi\":\"10.26512/EMTEMPOS.V1I37.33929\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The present article aims to discuss, based on reflections on History, Memory and Cinema, the framing of Oscar Wilde's image made by two contemporary but different movies: the biopic 'Wilde' (1997) and the musical drama 'Velvet Goldmine' (1998). After discussing the popularity of biographical pictures and the role that can be assumed by an historian when analyzing this type of audiovisual production, considering the elements intrinsic to the cinematographic language, we wish to answer the following question: when compared to the musical drama released in 1998, was the biopic ‘Wilde' successful in the attempt to revisit Wilde's memory and reflect on the importance of this writer in contemporaneity?\",\"PeriodicalId\":30228,\"journal\":{\"name\":\"Em Tempo de Historias\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-12-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Em Tempo de Historias\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.26512/EMTEMPOS.V1I37.33929\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Em Tempo de Historias","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.26512/EMTEMPOS.V1I37.33929","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The present article aims to discuss, based on reflections on History, Memory and Cinema, the framing of Oscar Wilde's image made by two contemporary but different movies: the biopic 'Wilde' (1997) and the musical drama 'Velvet Goldmine' (1998). After discussing the popularity of biographical pictures and the role that can be assumed by an historian when analyzing this type of audiovisual production, considering the elements intrinsic to the cinematographic language, we wish to answer the following question: when compared to the musical drama released in 1998, was the biopic ‘Wilde' successful in the attempt to revisit Wilde's memory and reflect on the importance of this writer in contemporaneity?
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