{"title":"肖勒姆的《多布鲁什卡:一个法兰克主义者的政治生涯","authors":"S. Campanini","doi":"10.1163/18750214-bja10004","DOIUrl":null,"url":null,"abstract":"\nThe article deals with Gershom Scholem’s interest in the historical figure of Moses Dobrushka (also known as Thomas von Schönfeld, and, in his last days, as Junius Frey), a central European Frankist, who first converted to Christianity and then to Jacobinism, embracing revolutionary ideals in Paris. The reasons for this interest, it is argued, were not merely scientific, but firmly rooted in Scholem’s construction of Zionism’s negative political theology.","PeriodicalId":40667,"journal":{"name":"Zutot","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2022-01-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Scholem’s Dobrushka: The Political Career of a Frankist\",\"authors\":\"S. Campanini\",\"doi\":\"10.1163/18750214-bja10004\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\nThe article deals with Gershom Scholem’s interest in the historical figure of Moses Dobrushka (also known as Thomas von Schönfeld, and, in his last days, as Junius Frey), a central European Frankist, who first converted to Christianity and then to Jacobinism, embracing revolutionary ideals in Paris. The reasons for this interest, it is argued, were not merely scientific, but firmly rooted in Scholem’s construction of Zionism’s negative political theology.\",\"PeriodicalId\":40667,\"journal\":{\"name\":\"Zutot\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-01-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Zutot\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/18750214-bja10004\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Zutot","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/18750214-bja10004","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
摘要
这篇文章讨论了Gershom Scholem对历史人物Moses Dobrushka(也被称为Thomas von Schönfeld,在他最后的日子里,被称为Junius Frey)的兴趣,他是中欧的法兰克主义者,他首先皈依基督教,然后皈依雅各宾主义,在巴黎拥抱革命理想。人们认为,产生这种兴趣的原因不仅仅是科学上的,而是牢牢植根于肖勒姆对犹太复国主义消极政治神学的建构。
Scholem’s Dobrushka: The Political Career of a Frankist
The article deals with Gershom Scholem’s interest in the historical figure of Moses Dobrushka (also known as Thomas von Schönfeld, and, in his last days, as Junius Frey), a central European Frankist, who first converted to Christianity and then to Jacobinism, embracing revolutionary ideals in Paris. The reasons for this interest, it is argued, were not merely scientific, but firmly rooted in Scholem’s construction of Zionism’s negative political theology.
期刊介绍:
Zutot: Perspectives on Jewish Culture aims to fill a gap that has become more and more conspicuous among the wealth of scholarly periodicals in the field of Jewish Studies. Whereas existing journals provide space to medium and large sized articles, they neglect the small but poignant contributions, which may be as important as the extended, detailed study. The Zutot serves as a platform for small but incisive contributions, and provides them with a distinct context. The substance of these contributions is derived from larger perspectives and, though not always presented in an exhaustive way, will have an impact on contemporary discussions. The Zutot covers Jewish culture in its broadest sense, i.e. encompassing various academic disciplines—literature, languages and linguistics, philosophy, art, sociology, politics and history—and reflects binary oppositions such as religious and secular, high and low, written and oral, male and female culture.