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引用次数: 0
摘要
19世纪末,Jagadish Chandra Bose设计了毫米波和微波实验,以记录植物对电磁刺激的反应。基于这些实验,Bose通过生物和非生物对电磁振动的不同敏感性,将其统一性概念化。通过将Bose基于电磁振动的生命统一论与Alfred North Whitehead的过程哲学和N.Katherine Hayles关于认知非意识的工作联系起来,我主张将人类和植物的智能与电磁信号联系起来的过程媒介理论。在这样做的过程中,我研究了关于不同生物(植物、动物、人类)对环境的不同感知的论述是如何被表述为关于哪些物种具有多大程度的认知能力和智力的主张的。我追溯了Bose的工作对20世纪70年代控制论者和反文化环保主义者所支持的生态思维的影响,以及对与物联网设计师和研究人员密切合作的当代植物神经生物学家的影响。这使我能够理解电敏感性,承认信号的强度和能量不仅仅是数据,这种非信息信号可以在身体中产生能力和无能、能力和弱点。
Sensitivity and Sensing: Toward a Processual Media Theory of Electromagnetic Vibrations
In the late nineteenth century, Jagadish Chandra Bose devised millimeter- and micro-wave experiments to record responses of plants to electromagnetic stimuli. Based on these experiments, Bose conceptualized his thesis of the unity of living and nonliving entities through their different sensitivities to electromagnetic vibrations. By relating Bose’s thesis of the unity of life based on electromagnetic vibrations to Alfred North Whitehead’s process philosophy and N. Katherine Hayles’s work on the cognitive nonconscious, I argue for a processual media theory that connects both human and plant intelligence to electromagnetic signaling. In doing so, I examine how discourses about different living bodies (plants, animals, humans) variously sensing their environments are formulated into claims about which species have what degree of cognitive capability and intelligence. I trace the influence of Bose’s work on the ecological thinking of the 1970s espoused by cyberneticists and countercultural environmentalists and on contemporary plant neurobiologists who are closely working with Internet of Things designers and researchers. This enables me to emerge with an understanding of electrosensitivity that acknowledges that there is more to the intensities and energies of signals than mere data and that such infra-informatic signals can create both capacities and incapacities, capabilities and debilities, in bodies.
期刊介绍:
Critical Inquiry has published the best critical thought in the arts and humanities since 1974. Combining a commitment to rigorous scholarship with a vital concern for dialogue and debate, the journal presents articles by eminent critics, scholars, and artists on a wide variety of issues central to contemporary criticism and culture. In CI new ideas and reconsideration of those traditional in criticism and culture are granted a voice. The wide interdisciplinary focus creates surprising juxtapositions and linkages of concepts, offering new grounds for theoretical debate. In CI, authors entertain and challenge while illuminating such issues as improvisations, the life of things, Flaubert, and early modern women"s writing.