{"title":"讲坛上的宗教:阿提卡讲坛文本中的尤丘麦祈祷","authors":"Andreas Af Serafim","doi":"10.1515/tc-2022-0004","DOIUrl":null,"url":null,"abstract":"Abstract This paper examines the use of prayers that are denoted by the verb euchomai, and their function as a means of affecting the cognitive/emotional disposition of people in forensic, symbouleutic and epideictic orations. It is argued that (references to) prayers may be of explicit or implicit character, and that they serve a variety of purposes: to secure the goodwill of the audience for the speaker; to present his character and civic/political qualities positively, while attacking, undermining and incriminating opponents for religious and political misconducts; to invite people in court or in the Assembly to think they are inspected by an invisible yet omnipresent divine audience; to refer to patriotism; and to triangulate relations between the speaker, his opponents and the audience.","PeriodicalId":41704,"journal":{"name":"Trends in Classics","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Religion on the Rostrum: Euchomai Prayers in the Texts of Attic Oratory\",\"authors\":\"Andreas Af Serafim\",\"doi\":\"10.1515/tc-2022-0004\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract This paper examines the use of prayers that are denoted by the verb euchomai, and their function as a means of affecting the cognitive/emotional disposition of people in forensic, symbouleutic and epideictic orations. It is argued that (references to) prayers may be of explicit or implicit character, and that they serve a variety of purposes: to secure the goodwill of the audience for the speaker; to present his character and civic/political qualities positively, while attacking, undermining and incriminating opponents for religious and political misconducts; to invite people in court or in the Assembly to think they are inspected by an invisible yet omnipresent divine audience; to refer to patriotism; and to triangulate relations between the speaker, his opponents and the audience.\",\"PeriodicalId\":41704,\"journal\":{\"name\":\"Trends in Classics\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-07-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Trends in Classics\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/tc-2022-0004\",\"RegionNum\":3,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"CLASSICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Trends in Classics","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/tc-2022-0004","RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"CLASSICS","Score":null,"Total":0}
Religion on the Rostrum: Euchomai Prayers in the Texts of Attic Oratory
Abstract This paper examines the use of prayers that are denoted by the verb euchomai, and their function as a means of affecting the cognitive/emotional disposition of people in forensic, symbouleutic and epideictic orations. It is argued that (references to) prayers may be of explicit or implicit character, and that they serve a variety of purposes: to secure the goodwill of the audience for the speaker; to present his character and civic/political qualities positively, while attacking, undermining and incriminating opponents for religious and political misconducts; to invite people in court or in the Assembly to think they are inspected by an invisible yet omnipresent divine audience; to refer to patriotism; and to triangulate relations between the speaker, his opponents and the audience.