医生、花花公子和马洛：从《漫长的再见》到《内在的罪恶》

Q2 Arts and Humanities

Orbit (Cambridge) Pub Date : 2018-03-22 DOI:10.16995/ORBIT.484

S. Carswell

{"title":"医生、花花公子和马洛：从《漫长的再见》到《内在的罪恶》","authors":"S. Carswell","doi":"10.16995/ORBIT.484","DOIUrl":null,"url":null,"abstract":"Several reviewers and scholars of Thomas Pynchon's Inherent Vice have noted the similarities between the novel and both Raymond Chandler's Philip Marlowe novels and the Coen brothers' film The Big Lebowski. Many of the reviewers, in particular, unreflectively comment on Doc Sportello's masculinity, criticizing Doc for not performing the hegemonic masculinity typical of detective novels and films. What has been missing is a deeper examination of hegemonic masculinity in both the novel and its likely source materials. This essay employs Judith Butler's notions of gender performativity as well as Christian Moraru's examination of postmodern rewriting to explore the fluid constructions and performances of masculinity in The Long Goodbye, The Big Lebowski, and Inherent Vice. Ultimately, this essay argues that Pynchon's characterization of Doc Sportello projects possibilities into alternatives to hegemonic masculinity.","PeriodicalId":37450,"journal":{"name":"Orbit (Cambridge)","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2018-03-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Doc, the Dude, and Marlowe: Changing Masculinities from The Long Goodbye to Inherent Vice\",\"authors\":\"S. Carswell\",\"doi\":\"10.16995/ORBIT.484\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Several reviewers and scholars of Thomas Pynchon's Inherent Vice have noted the similarities between the novel and both Raymond Chandler's Philip Marlowe novels and the Coen brothers' film The Big Lebowski. Many of the reviewers, in particular, unreflectively comment on Doc Sportello's masculinity, criticizing Doc for not performing the hegemonic masculinity typical of detective novels and films. What has been missing is a deeper examination of hegemonic masculinity in both the novel and its likely source materials. This essay employs Judith Butler's notions of gender performativity as well as Christian Moraru's examination of postmodern rewriting to explore the fluid constructions and performances of masculinity in The Long Goodbye, The Big Lebowski, and Inherent Vice. Ultimately, this essay argues that Pynchon's characterization of Doc Sportello projects possibilities into alternatives to hegemonic masculinity.\",\"PeriodicalId\":37450,\"journal\":{\"name\":\"Orbit (Cambridge)\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-03-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Orbit (Cambridge)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.16995/ORBIT.484\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Orbit (Cambridge)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.16995/ORBIT.484","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}

引用次数: 0

摘要

托马斯·品钦的《内在罪恶》的几位评论家和学者指出，这部小说与雷蒙德·钱德勒的菲利普·马洛小说和科恩兄弟的电影《大勒博夫斯基》有相似之处。尤其是许多评论家，对Doc Sportello的男子气概不置可否，批评Doc没有表现出侦探小说和电影中典型的霸权男子气概。缺少的是在小说及其可能的原始材料中对霸权男子气概进行更深入的考察。本文运用朱迪斯·巴特勒对性别表演性的概念，以及克里斯蒂安·莫拉鲁对后现代重写的审视，探讨了《漫长的再见》、《大勒博夫斯基》和《内在的罪恶》中男性气质的流动结构和表现。最终，这篇文章认为，品钦对Doc Sportello的刻画为霸权男子气概的替代方案提供了可能性。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

Doc, the Dude, and Marlowe: Changing Masculinities from The Long Goodbye to Inherent Vice

Several reviewers and scholars of Thomas Pynchon's Inherent Vice have noted the similarities between the novel and both Raymond Chandler's Philip Marlowe novels and the Coen brothers' film The Big Lebowski. Many of the reviewers, in particular, unreflectively comment on Doc Sportello's masculinity, criticizing Doc for not performing the hegemonic masculinity typical of detective novels and films. What has been missing is a deeper examination of hegemonic masculinity in both the novel and its likely source materials. This essay employs Judith Butler's notions of gender performativity as well as Christian Moraru's examination of postmodern rewriting to explore the fluid constructions and performances of masculinity in The Long Goodbye, The Big Lebowski, and Inherent Vice. Ultimately, this essay argues that Pynchon's characterization of Doc Sportello projects possibilities into alternatives to hegemonic masculinity.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

Orbit (Cambridge) Arts and Humanities-Literature and Literary Theory

CiteScore

0.20

自引率

0.00%

发文量

审稿时长

15 weeks

期刊介绍： Orbit: Writing Around Pynchon is a journal that publishes high quality, rigorously reviewed and innovative scholarly material on the works of Thomas Pynchon, related authors and adjacent fields in 20th- and 21st-century literature. We publish special and general issues in a rolling format, which brings together a traditional journal article style with the latest publishing technology to ensure faster, yet prestigious, publication for authors.