{"title":"“沉默的门槛”:勒·柯布西耶、《帕提农》与古物的视觉","authors":"Andrea Guerra","doi":"10.1080/00043079.2021.1925013","DOIUrl":null,"url":null,"abstract":"Abstract In 1914, three years after his visit to the Acropolis in Athens during his travels through the East, Le Corbusier wrote “Le Parthénon,” the penultimate chapter in the diary published posthumously in 1966 under the title Voyage d’Orient. The text, studied here from the original 1914 manuscript, is distinctive in that it attenuates the journalistic style prevalent in other chapters of Voyage to express considerations on artistic creation and the meaning of making architecture. The analysis reveals a powerful visionary component, inspired by images borrowed from painting and literature that would leave indelible traces in Le Corbusier’s poetics.","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"103 1","pages":"85 - 110"},"PeriodicalIF":0.4000,"publicationDate":"2021-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“At the Threshold of Silence”: Le Corbusier, “Le Parthénon,” and the Vision of Antiquity\",\"authors\":\"Andrea Guerra\",\"doi\":\"10.1080/00043079.2021.1925013\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract In 1914, three years after his visit to the Acropolis in Athens during his travels through the East, Le Corbusier wrote “Le Parthénon,” the penultimate chapter in the diary published posthumously in 1966 under the title Voyage d’Orient. The text, studied here from the original 1914 manuscript, is distinctive in that it attenuates the journalistic style prevalent in other chapters of Voyage to express considerations on artistic creation and the meaning of making architecture. The analysis reveals a powerful visionary component, inspired by images borrowed from painting and literature that would leave indelible traces in Le Corbusier’s poetics.\",\"PeriodicalId\":46667,\"journal\":{\"name\":\"ART BULLETIN\",\"volume\":\"103 1\",\"pages\":\"85 - 110\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2021-10-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ART BULLETIN\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/00043079.2021.1925013\",\"RegionNum\":1,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ART BULLETIN","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/00043079.2021.1925013","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
“At the Threshold of Silence”: Le Corbusier, “Le Parthénon,” and the Vision of Antiquity
Abstract In 1914, three years after his visit to the Acropolis in Athens during his travels through the East, Le Corbusier wrote “Le Parthénon,” the penultimate chapter in the diary published posthumously in 1966 under the title Voyage d’Orient. The text, studied here from the original 1914 manuscript, is distinctive in that it attenuates the journalistic style prevalent in other chapters of Voyage to express considerations on artistic creation and the meaning of making architecture. The analysis reveals a powerful visionary component, inspired by images borrowed from painting and literature that would leave indelible traces in Le Corbusier’s poetics.
期刊介绍:
The Art Bulletin publishes leading scholarship in the English language in all aspects of art history as practiced in the academy, museums, and other institutions. From its founding in 1913, the journal has published, through rigorous peer review, scholarly articles and critical reviews of the highest quality in all areas and periods of the history of art. Articles take a variety of methodological approaches, from the historical to the theoretical. In its mission as a journal of record, The Art Bulletin fosters an intensive engagement with intellectual developments and debates in contemporary art-historical practice. It is published four times a year in March, June, September, and December