{"title":"将战争置于框架之外:省略作为两次战争叙事中女性视角转向的一种手段","authors":"Bernardita M. Cubillos","doi":"10.7146/nja.v32i65-66.140105","DOIUrl":null,"url":null,"abstract":"This article explores how cinema’s material discontinuity can stimulate the attention of a distracted audience and prompt reflectionon historical violence. By examining Yasujiro Ozu’s Sanma no aji (1962) and Greta Gerwig’s Little Women (2019), it argues that ellipsis is a powerful technique used to construct an argument about the relationship between war and women’s social roles. Specifically, the article analyses how these films use the ellipsis to enhance the resistance of women who act against the official thread of History. Finally, the findings highlight the potential of cinema to challenge dominant narratives and encourage alternative approaches to representing violence and social roles.","PeriodicalId":38858,"journal":{"name":"Nordic Journal of Aesthetics","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-08-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Keeping the War Outside the Frame: Ellipsis as a Means of Redirection Toward Women's Perspectives in Two War Narratives\",\"authors\":\"Bernardita M. Cubillos\",\"doi\":\"10.7146/nja.v32i65-66.140105\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article explores how cinema’s material discontinuity can stimulate the attention of a distracted audience and prompt reflectionon historical violence. By examining Yasujiro Ozu’s Sanma no aji (1962) and Greta Gerwig’s Little Women (2019), it argues that ellipsis is a powerful technique used to construct an argument about the relationship between war and women’s social roles. Specifically, the article analyses how these films use the ellipsis to enhance the resistance of women who act against the official thread of History. Finally, the findings highlight the potential of cinema to challenge dominant narratives and encourage alternative approaches to representing violence and social roles.\",\"PeriodicalId\":38858,\"journal\":{\"name\":\"Nordic Journal of Aesthetics\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-08-17\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Nordic Journal of Aesthetics\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7146/nja.v32i65-66.140105\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Nordic Journal of Aesthetics","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7146/nja.v32i65-66.140105","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
本文探讨了电影的物质不连续性如何激发分心观众的注意力,并促使人们反思历史暴力。通过考察小津康二郎(1962)的《Sanma no aji》和格蕾塔·葛维格(Greta Gerwig)的《小女人》(2019),它认为省略是一种强有力的技巧,用于构建关于战争与女性社会角色之间关系的论点。具体而言,本文分析了这些电影如何利用省略来增强女性对历史主线的反抗。最后,研究结果强调了电影挑战主流叙事的潜力,并鼓励采用替代方法来表现暴力和社会角色。
Keeping the War Outside the Frame: Ellipsis as a Means of Redirection Toward Women's Perspectives in Two War Narratives
This article explores how cinema’s material discontinuity can stimulate the attention of a distracted audience and prompt reflectionon historical violence. By examining Yasujiro Ozu’s Sanma no aji (1962) and Greta Gerwig’s Little Women (2019), it argues that ellipsis is a powerful technique used to construct an argument about the relationship between war and women’s social roles. Specifically, the article analyses how these films use the ellipsis to enhance the resistance of women who act against the official thread of History. Finally, the findings highlight the potential of cinema to challenge dominant narratives and encourage alternative approaches to representing violence and social roles.