{"title":"故事主权-有色人种表演者的安全空间","authors":"D. Enari","doi":"10.36251/josi231","DOIUrl":null,"url":null,"abstract":"Performers of colour have had to endure racism, both on and off stage. Sadly, many performers of colour have had personal (in)direct experiences of racism. Sadder yet, there are those who have been discouraged to pursue careers in the performing arts, because of the racism they have experienced. This article analyses a production by women of colour called Hot Brown Honey. Through this show, notions of racism are called to question and safe spaces for performers of colour are created. As two Pacific Island authors, one being the Director/Co-writer/Performer and the other an activist academic, we provide insider access into the Hot Brown Honey family. Through our insider voices, we are able to share our experiences of how this show disrupts racist perceptions, and privileges people of colour and our narratives. It is our humble prayer that both this show and article empowers people of colour in the performing arts, and builds a better industry for the next generation.","PeriodicalId":42982,"journal":{"name":"Journal of Social Inclusion","volume":" ","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2022-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Story sovereignty - Safe spaces for performers of colour\",\"authors\":\"D. Enari\",\"doi\":\"10.36251/josi231\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Performers of colour have had to endure racism, both on and off stage. Sadly, many performers of colour have had personal (in)direct experiences of racism. Sadder yet, there are those who have been discouraged to pursue careers in the performing arts, because of the racism they have experienced. This article analyses a production by women of colour called Hot Brown Honey. Through this show, notions of racism are called to question and safe spaces for performers of colour are created. As two Pacific Island authors, one being the Director/Co-writer/Performer and the other an activist academic, we provide insider access into the Hot Brown Honey family. Through our insider voices, we are able to share our experiences of how this show disrupts racist perceptions, and privileges people of colour and our narratives. It is our humble prayer that both this show and article empowers people of colour in the performing arts, and builds a better industry for the next generation.\",\"PeriodicalId\":42982,\"journal\":{\"name\":\"Journal of Social Inclusion\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-08-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Social Inclusion\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.36251/josi231\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"SOCIAL ISSUES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Social Inclusion","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.36251/josi231","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"SOCIAL ISSUES","Score":null,"Total":0}
引用次数: 0
摘要
有色人种的表演者不得不忍受种族歧视,无论是在台上还是台下。可悲的是,许多有色人种表演者都有过种族主义的亲身经历。更可悲的是,有些人因为经历过种族歧视而被劝阻从事演艺事业。这篇文章分析了有色人种女性制作的一部名为《热棕蜜》的作品。通过这场演出,人们对种族主义的观念提出了质疑,并为有色人种表演者创造了安全的空间。作为两位太平洋岛作家,一位是导演/联合编剧/演员,另一位是活动家学者,我们提供了了解Hot Brown Honey家族的内幕信息。通过我们的内部声音,我们能够分享我们的经历,即这部剧如何颠覆种族主义观念,并赋予有色人种特权和我们的叙事。我们谦卑地祈祷,这场演出和这篇文章都能在表演艺术中赋予有色人种权力,并为下一代建立一个更好的行业。
Story sovereignty - Safe spaces for performers of colour
Performers of colour have had to endure racism, both on and off stage. Sadly, many performers of colour have had personal (in)direct experiences of racism. Sadder yet, there are those who have been discouraged to pursue careers in the performing arts, because of the racism they have experienced. This article analyses a production by women of colour called Hot Brown Honey. Through this show, notions of racism are called to question and safe spaces for performers of colour are created. As two Pacific Island authors, one being the Director/Co-writer/Performer and the other an activist academic, we provide insider access into the Hot Brown Honey family. Through our insider voices, we are able to share our experiences of how this show disrupts racist perceptions, and privileges people of colour and our narratives. It is our humble prayer that both this show and article empowers people of colour in the performing arts, and builds a better industry for the next generation.