赠与文化资本主义国家：消费大众艺术与墨西哥博物馆的公民身份

IF 0.1 4区社会学 N/A HUMANITIES, MULTIDISCIPLINARY

STUDIES IN LATIN AMERICAN POPULAR CULTURE Pub Date : 2017-05-12 DOI:10.7560/SLAPC3501

M. Coffey

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引用次数: 2

摘要

摘要:本文通过分析墨西哥博物馆大众艺术展览的关键时刻，探讨了“展示的代理”(agency of display)，从革命刚结束到新自由主义拆除福利国家。它探讨了流行艺术的消费是如何在展览中合理化的，并通过展览来追踪国家话语在不同历史时刻关于什么构成公民身份的转变。在当代关于公民-消费者的争论中，这篇文章表明，大众公民和大众艺术的消费一直是联系在一起的，同时也承认，社会自由主义的出现标志着墨西哥国家、社会和经济关系的一种独特而高度矛盾的转变。为此，文章最后分析了在修订后的民族志画廊、国家博物馆Artesanías的临时展览和国家人类学博物馆的礼品店中展示的流行艺术。

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Gifting the Cultural-Capitalist State: Consuming Popular Art and Performing Citizenship in Mexico’s Museums

Abstract: This article explores the “agency of display” by analyzing key moments in the exhibition of popular art in Mexico’s museums from the immediate postrevolutionary period through the neoliberal dismantling of the welfare state. It explores how the consumption of popular art has been rationalized in and through exhibitions to track the shift in state discourses regarding what constitutes citizenship at different historical moments. Situated within contemporary debates over the citizen-consumer, this article shows that popular citizenship and the consumption of popular art have always been linked while also acknowledging that the advent of social liberalism marks a distinct and highly paradoxical transformation of relations of state, society, and economy in Mexico. To that end, the article concludes by analyzing displays of popular art in the revised ethnographic galleries, a temporary exhibition by the Fondo Nacional de Fomento a las Artesanías, and the gift store at the National Museum of Anthropology.

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来源期刊

STUDIES IN LATIN AMERICAN POPULAR CULTURE HUMANITIES, MULTIDISCIPLINARY-

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0.10

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0.00%

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