{"title":"罗马时期莫桑比克的古代动物","authors":"Patricia Witts","doi":"10.26658/jmr.1143766","DOIUrl":null,"url":null,"abstract":"Animals were popular subjects for Roman mosaics, featuring in many contexts. In his influential book, Season Mosaics of Roman North Africa, David Parrish included a short section on animals symbolising the Seasons, appearing either with personifications or representing the Seasons by themselves.This article widens the discussion and looks beyond North Africa. It begins by examining mosaics on which personifications of the Seasons ride animals and continues with those in which the association is progressively less direct, with a view to analysing which animals can be shown to carry seasonal connotations and whether those animals were associated with more than one season.Mosaics in which four animals appear without personifications are also considered in order to assess whether or not they represented the Seasons. The presence of other seasonal imagery supports this idea, while factors such as the context in which the animals appear and the order in which they are shown can suggest an answer one way or the other.The aim of the article is to demonstrate that whenever four animals are depicted in a mosaic it is worth considering whether they might have seasonal associations, while bearing in mind that this will not necessarily be the case in every instance.","PeriodicalId":40714,"journal":{"name":"Journal of Mosaic Research","volume":" ","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2022-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Roma Mozaiklerinde Mevsim Hayvanları\",\"authors\":\"Patricia Witts\",\"doi\":\"10.26658/jmr.1143766\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Animals were popular subjects for Roman mosaics, featuring in many contexts. In his influential book, Season Mosaics of Roman North Africa, David Parrish included a short section on animals symbolising the Seasons, appearing either with personifications or representing the Seasons by themselves.This article widens the discussion and looks beyond North Africa. It begins by examining mosaics on which personifications of the Seasons ride animals and continues with those in which the association is progressively less direct, with a view to analysing which animals can be shown to carry seasonal connotations and whether those animals were associated with more than one season.Mosaics in which four animals appear without personifications are also considered in order to assess whether or not they represented the Seasons. The presence of other seasonal imagery supports this idea, while factors such as the context in which the animals appear and the order in which they are shown can suggest an answer one way or the other.The aim of the article is to demonstrate that whenever four animals are depicted in a mosaic it is worth considering whether they might have seasonal associations, while bearing in mind that this will not necessarily be the case in every instance.\",\"PeriodicalId\":40714,\"journal\":{\"name\":\"Journal of Mosaic Research\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-11-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Mosaic Research\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.26658/jmr.1143766\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ARCHAEOLOGY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Mosaic Research","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.26658/jmr.1143766","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHAEOLOGY","Score":null,"Total":0}
引用次数: 0
摘要
动物是罗马马赛克的热门主题,在许多背景下都有其特色。大卫·帕里什(David Parrish)在其颇具影响力的著作《罗马北非的季节马赛克》(Season Mosaics of Roman North Africa)中,包括了一小段关于象征季节的动物的内容,这些动物要么以拟人化的方式出现,要么自己代表季节。这篇文章扩大了讨论范围,并将目光投向了北非以外的地区。它首先研究了季节的拟人化骑在动物身上的马赛克,然后继续研究那些联系越来越不直接的马赛克,以分析哪些动物可以被证明具有季节含义,以及这些动物是否与不止一个季节有关。为了评估四种动物是否代表四季,还考虑了四种动物在没有拟人化的情况下出现的马赛克。其他季节性图像的存在支持了这一观点,而动物出现的背景和展示顺序等因素可以以某种方式提出答案。这篇文章的目的是证明,无论何时在马赛克中描绘四只动物,都值得考虑它们是否具有季节性关联,同时要记住,并非所有情况都是如此。
Animals were popular subjects for Roman mosaics, featuring in many contexts. In his influential book, Season Mosaics of Roman North Africa, David Parrish included a short section on animals symbolising the Seasons, appearing either with personifications or representing the Seasons by themselves.This article widens the discussion and looks beyond North Africa. It begins by examining mosaics on which personifications of the Seasons ride animals and continues with those in which the association is progressively less direct, with a view to analysing which animals can be shown to carry seasonal connotations and whether those animals were associated with more than one season.Mosaics in which four animals appear without personifications are also considered in order to assess whether or not they represented the Seasons. The presence of other seasonal imagery supports this idea, while factors such as the context in which the animals appear and the order in which they are shown can suggest an answer one way or the other.The aim of the article is to demonstrate that whenever four animals are depicted in a mosaic it is worth considering whether they might have seasonal associations, while bearing in mind that this will not necessarily be the case in every instance.