米塞雷雷的变形：詹姆斯·麦克米伦的作文神学

IF 0.2 2区艺术学 0 MUSIC

Journal of the Royal Musical Association Pub Date : 2021-11-04 DOI:10.1017/rma.2021.21

Ariana Phillips-Hutton

{"title":"米塞雷雷的变形：詹姆斯·麦克米伦的作文神学","authors":"Ariana Phillips-Hutton","doi":"10.1017/rma.2021.21","DOIUrl":null,"url":null,"abstract":"Abstract The Scottish composer Sir James MacMillan (b. 1959) is a vocal proponent of contemporary sacred music, yet little scholarly analysis looks beyond the surface to explore how theological themes and language influence his work. This article offers a fresh perspective on the relationship between theology and music via an analysis of MacMillan’s characterization of his compositional process as ‘transubstantiation’. Far from being merely an evocative description, transubstantiation is a conceptual metaphor that signifies a distinctively eucharistic logic and practice in music. I trace these implications through MacMillan’s Miserere (2009), which reinscribes past music and rituals as part of refashioning the contemporary imagining of religion.","PeriodicalId":17438,"journal":{"name":"Journal of the Royal Musical Association","volume":"147 1","pages":"51 - 76"},"PeriodicalIF":0.2000,"publicationDate":"2021-11-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Transubstantiating Miserere: James MacMillan’s Compositional Theology\",\"authors\":\"Ariana Phillips-Hutton\",\"doi\":\"10.1017/rma.2021.21\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract The Scottish composer Sir James MacMillan (b. 1959) is a vocal proponent of contemporary sacred music, yet little scholarly analysis looks beyond the surface to explore how theological themes and language influence his work. This article offers a fresh perspective on the relationship between theology and music via an analysis of MacMillan’s characterization of his compositional process as ‘transubstantiation’. Far from being merely an evocative description, transubstantiation is a conceptual metaphor that signifies a distinctively eucharistic logic and practice in music. I trace these implications through MacMillan’s Miserere (2009), which reinscribes past music and rituals as part of refashioning the contemporary imagining of religion.\",\"PeriodicalId\":17438,\"journal\":{\"name\":\"Journal of the Royal Musical Association\",\"volume\":\"147 1\",\"pages\":\"51 - 76\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2021-11-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of the Royal Musical Association\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/rma.2021.21\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of the Royal Musical Association","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/rma.2021.21","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}

引用次数: 0

摘要

苏格兰作曲家詹姆斯·麦克米伦爵士(生于1959年)是当代圣乐的声音支持者，但很少有学术分析深入探讨神学主题和语言如何影响他的作品。本文通过对麦克米伦将其创作过程描述为“转化”的分析，为神学与音乐之间的关系提供了一个新的视角。远不是仅仅是一个唤起的描述，变形是一个概念隐喻，象征着独特的圣餐逻辑和实践的音乐。我通过麦克米伦的《悲惨世界》(2009)追溯了这些含义，它将过去的音乐和仪式重新定义为重塑当代宗教想象的一部分。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

Transubstantiating Miserere: James MacMillan’s Compositional Theology

Abstract The Scottish composer Sir James MacMillan (b. 1959) is a vocal proponent of contemporary sacred music, yet little scholarly analysis looks beyond the surface to explore how theological themes and language influence his work. This article offers a fresh perspective on the relationship between theology and music via an analysis of MacMillan’s characterization of his compositional process as ‘transubstantiation’. Far from being merely an evocative description, transubstantiation is a conceptual metaphor that signifies a distinctively eucharistic logic and practice in music. I trace these implications through MacMillan’s Miserere (2009), which reinscribes past music and rituals as part of refashioning the contemporary imagining of religion.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

Journal of the Royal Musical Association MUSIC-

CiteScore

0.50

自引率

0.00%

发文量

期刊介绍： The Journal of the Royal Musical Association was established in 1986 (replacing the Association"s Proceedings) and is now one of the major international refereed journals in its field. Its editorial policy is to publish outstanding articles in fields ranging from historical and critical musicology to theory and analysis, ethnomusicology, and popular music studies. The journal works to disseminate knowledge across the discipline and communicate specialist perspectives to a broad readership, while maintaining the highest scholarly standards.