{"title":"所有固体都会融化成铁锈：后苏联时期古巴糖业的物质衰退","authors":"Elzbieta Sklodowska","doi":"10.1080/13569325.2021.1919068","DOIUrl":null,"url":null,"abstract":"The disintegration of the Cuban sugar industry after the Soviet Union’s demise, as depicted in the film Melaza (dir. Carlos Lechuga, 2012 ), serves as a point of departure for a more general analysis of the materiality of Cuba’s post-sugar afterlife. Against the backdrop of sugar mills shuttered as a result of the 2002 “restructuring”, I analyse the film’s aesthetic rendering of the multilayered archaeology of loss: from the dissolution of the utopian dreams to the daily precarity of common livelihoods.","PeriodicalId":56341,"journal":{"name":"Journal of Latin American Cultural Studies","volume":"30 1","pages":"277 - 290"},"PeriodicalIF":0.3000,"publicationDate":"2021-09-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/13569325.2021.1919068","citationCount":"0","resultStr":"{\"title\":\"All That is Solid Melts Into Rust: The Material Decay of The Sugar Industry in Post-Soviet Cuba\",\"authors\":\"Elzbieta Sklodowska\",\"doi\":\"10.1080/13569325.2021.1919068\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The disintegration of the Cuban sugar industry after the Soviet Union’s demise, as depicted in the film Melaza (dir. Carlos Lechuga, 2012 ), serves as a point of departure for a more general analysis of the materiality of Cuba’s post-sugar afterlife. Against the backdrop of sugar mills shuttered as a result of the 2002 “restructuring”, I analyse the film’s aesthetic rendering of the multilayered archaeology of loss: from the dissolution of the utopian dreams to the daily precarity of common livelihoods.\",\"PeriodicalId\":56341,\"journal\":{\"name\":\"Journal of Latin American Cultural Studies\",\"volume\":\"30 1\",\"pages\":\"277 - 290\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2021-09-10\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/13569325.2021.1919068\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Latin American Cultural Studies\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1080/13569325.2021.1919068\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"CULTURAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Latin American Cultural Studies","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1080/13569325.2021.1919068","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
All That is Solid Melts Into Rust: The Material Decay of The Sugar Industry in Post-Soviet Cuba
The disintegration of the Cuban sugar industry after the Soviet Union’s demise, as depicted in the film Melaza (dir. Carlos Lechuga, 2012 ), serves as a point of departure for a more general analysis of the materiality of Cuba’s post-sugar afterlife. Against the backdrop of sugar mills shuttered as a result of the 2002 “restructuring”, I analyse the film’s aesthetic rendering of the multilayered archaeology of loss: from the dissolution of the utopian dreams to the daily precarity of common livelihoods.
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