查看建筑商的作品:Meninx(杰尔巴)的外国建筑师、工匠和大理石

Q1 Arts and Humanities
Libyan Studies Pub Date : 2022-10-24 DOI:10.1017/lis.2022.11
Johannes Lipps
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引用次数: 0

摘要

摘要在整个公元二世纪,非洲富裕的沿海城市Proconsularis的市民中心经历了根深蒂固的变化。到目前为止,当地的石头在很大程度上被用于他们的建筑,但从哈德良时期开始,大理石的使用越来越多,这些大理石是经过相当大的努力和巨大的费用进口的。这些大理石主要来自意大利、希腊和小亚细亚,并带来了新的建筑概念,以及在过去的学术中被普遍认定为“意大利”和“东方”的建筑师和工匠。本文将考察位于杰尔巴(突尼斯)南部港口城市梅尼克斯的一座寺庙、一座被认为是门廊的建筑和一座长方形会堂。这些建筑的建筑构件保存得非常好,2017-18年现场记录期间制作的文件使我们能够详细了解其原始建筑过程。这将展示罗马帝国建筑业在公元二世纪的流动性,这反过来又挑战了任何对建筑概念、建筑传统和工匠自身起源进行过于示意性的领土布局的尝试。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Looking over the builders’ work: foreign architects, artisans, and marble at Meninx (Djerba)
Abstract Throughout the second century AD, the civic centres of the wealthy coastal cities of Africa Proconsularis underwent deep-rooted changes. Up to this point local stone had been largely employed for their buildings, but from the Hadrianic period onwards there was an increasing use of marbles, which were imported with considerable efforts and at great expense. These marbles came primarily from Italy, Greece, and Asia Minor, and brought with them new architectural concepts, as well as architects and artisans who have been generally identified as ‘Italian’ and ‘Eastern’ in past scholarship. This article will examine a temple, a structure presumed to be a portico, and a basilica from the harbour city of Meninx, located in southern Djerba (Tunisia). The exceptionally good preservation of these buildings’ architectural components and the documentation produced during their on-site recording in 2017–18 allow for a detailed understanding of their original building processes. This will show how mobile the building industry of the Roman Empire was during the second century AD, which in turn challenges any attempts of an overly schematic territorial placement of architectural concepts, building traditions, and the provenance of the artisans themselves.
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来源期刊
Libyan Studies
Libyan Studies Arts and Humanities-History
CiteScore
0.80
自引率
0.00%
发文量
18
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